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Movie Title: On Her Majesty’s Secret Service On Her Majesty’s Secret Service is available for streaming or downloading. Click Here to Stream or Download On Her Majesty’s Secret Service |
All I can say is it’s about time this movie has been available as a single DVD. Ever since its initial release this much film has had to deal with the regrettable and entirely undeserved stigma of being a lesser and forgettable footnote in the Bond canon. Nothing could be further from the truth.
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On Her Majesty’s Secret Service is a masterpiece, both as a James Bond movie and as an adventure movie in its occupy right– and it is far and away the best Bond movie that has ever been made thusfar. The reasons for this are manifold. For one thing it succeeds marvelously on both an artistic as well as an escapist level– imho it’s the only Bond film so far to attain this. Secondly it features what is easily the greatest earn in a Bond movie, and possibly the greatest action theme music ever–the ripping instrumental theme composed excites me every time I hear it after 25 years and more listens than I could possibly hope to remember. Thirdly it features one of the best ensemble casts of all the Bond movies– every section was perfectly cast (yes even Bond) and they all played off each other wonderfully. Last but not least it was directed but arguably the best of all Bond directors, Peter Hunt.
On Her Majesty’s Secret Service is novel among the Bond movies in so many ways, most notably in that it stars the criminally underrated George Lazenby as Bond. Lazenby was a fight instructor with the Special Forces, a championship skier and swimmer– all of which contributed to him having a mighty physical grace, as well as the sort of glowing magnetism, confidence and trip that simply can’t be faked. In short, where most of the Bonds have been actors trying to be action heroes, Lazenby was an action hero trying to be an actor– and as far as I’m concerned this gave him a certain advantage over everyone else who has attempted the role. And he was bloody cold. So frosty, in fact, that to this day, more than Connery even, watching Lazenby makes the 12 year-old in me want to bustle out and set the world. Topping everything off the man was a model and absolutely adored by women. In short he was, to my mind, far and away the most naturally splendid of any of the actors who have ever played Bond. Yes, he was a shrimp rough around the edges in the acting department, but by God he had it where it counted and was diamond in the rough. It is one of the mountainous tragedies of action cinema history that we didn’t acquire to perceive him perform as Bond.
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And then there’s the film itself. In addition to a astounding lead it also contains one of the best villains of the series– Telly Savalas’ Blofeld. Egotistical, charming, entirely self-centred, incandescent as well as menacing and physically imposing, he was the perfect counter to Lazenby’s Bond. You could literally sense the urgency and drive slow his egocentric madness– clearly he was a villain to be reckoned with. And there was that cold blueprint he held his cigarettes. Furthermore, On Her Majesty’s Secret Service has what is probably the best myth of the series. It struck impartial the legal balance between the absurd (the mountaintop fortress and view to end the world’s crops) and the serious (the character development and lack of gadgets and over-the-top amazing elements) as well as touching on some quintessential male fantasy elements: a bevy of beauties atop a mountain hideaway on the one hand, and the savory Tracy on the other. Let it be said here and now that as ridiculous as the notion of hypnotizing a group of dazzling women to go out and do your bidding really is, it must be well-known that the whole conception is fantastically frosty on the level of fantasy on which Bond films have always had their good niche. If Ian Fleming were alive to day I would give him a profitable pat on the wait on for that one.
Let us now judge the action scenes– some of the best of the entire series– not the least of which are the stellar fight scenes: brutal and personal, not to be approached in awesomeness until Casino Royale two years ago. And then there are the ski scenes– utterly fabulous. The Piz Gloria rush is easily the single most enchanting scene in the whole series, and it culminates so beautifully with Bond lost and alone at the ice rink, unsure what to do before lo! his guardian angel appears. I would go so far as to say that from the moment Bond is imprisoned in the cable-car room apt through the slay of the movie, we have perhaps the best extended action sequence in any Bond movie, perhaps in any action movie ever– and it’s scored brilliantly by the incomparable John Barry.
Above all, however, one gets a distinct sense watching On Her Majesty’s Secret Service of how worthy went into it. Starting with Goldfinger and culminating with You Only Live Twice the Bond movie producers went quite over the top and shifted the focus of the films away from character and depth into the realm of large budget spectacle– to the point that the character of Bond was reduced to a cheap toupe adorning all the nonsense going on around him. By the time On Her Majesty’s Secret Service was made they evidently decided to allege the series benefit to its roots. One thing that stands out to me more every time I scrutinize this film is how remarkable it is apparent that everyone fervent with it achieve their heart and soul into making the “chronicle” Bond film. It broke all the standard Hollywood success rules– it blew the then just-established formula to smithereens, it was the first one to really address James Bond as a human being, it was the first to give Bond a chance to plunge in admire, to have him register pleasant fright and emotion, and so on.
Looking befriend it’s almost as if some higher power intervened, realigned the planets and allowed the fireworks and spectacles to be assign on gain for one movie so that the filmmakers could construct a movie from their heart, so they could vow a epic without sacrificing its integrity on the altar of crazy gadgets, whimsical plotlines and futuristic sets– and I consider it is this quality that gives OHMSS its honest pulse, that quality which, to me, makes it stand out more and more as the best film of the series with each viewing. Goldfinger and Thunderball may have embedded Bond firmly in the collective accepted consciousness, but On Her Majesty’s Secret Service captured perfectly the soul of Bond– and it hasn’t been topped since.
To paraphrase a tribute once given to a gargantuan historical personage: To a traveler standing arrive a mountain range many eminences seem to have approximately the same altitude; it is difficult to disengage Everest from its lofty neighbors. But as the range recedes in the distance, the highest peak lifts more and more above its fellows, until it alone fills the horizon. So it has been with On Her Majesty’s Secret Service.
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This is the sixth “official” (meaning EON productions) movie in the James Bond series.
It is based on the 1963 modern of the same name by the slack Ian Flaming. This movie follows the state of this current quite closely.
This is the only Bond movie to star George Lazenby as fictional MI6 agent James Bond, code number 007. (Sean Connery had halt after starring in five Bond movies.)
After “Dr. No” (1962), this is the only Bond movie with solely instrumental opening credits theme music. (This music is unruffled quite thrilling to hear after all these years.)
Yes, Ernst Stavro Blofeld, head of SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge, and Extortion) is Bond’s nemesis in this movie. In fact, this is the second in what is considered to be the “Blofeld Trilogy.” (This means that the Bond movie before this one had Blofeld and the Bond movie after this one had Blofeld. In all three cases, Blofeld was played by a different actor. In this movie, the legendary Telly Savalas plays a righteous Blofeld.)
What is especially original about this movie is that Bond meets, falls in adore with, and eventually marries Contessa Teresa “Tracy” di Vicenzo (well-acted by Diana Rigg) . Stamp that Rigg is the main Bond girl but there are twelve more. These dozen Bond girls are Blofeld’s unwitting “Angels of Death.”
During the Bond and Tracy courtship, there is the song “We have all the time in the world” sung by the incomparable Louis Armstrong. This song is special since this is his last recorded song.
I liked the petite things the writers save into this movie. I’ll mention honest a few of them:
(1) The gun-barrel sequence was slightly different from the ones Bond fans were customary to seeing at that time. (2) At the destroy of the opening sequence, Bond actually talks to the audience. (I don’t contemplate this has occurred in any other Bond movie.) (3) During the opening credits sequence, there are outtakes from previous Bond movies. (4) In one scene in this movie, Bond visits his office and takes out from his desk drawer gadgets from the previous Bond movies “Dr. No,” “From Russia with Esteem,” and “Thunderball.” (Interestingly, this movie has minimal gadgets.) (5) In another scene, a janitor can be heard whistling the theme from “Goldfinger.”
There is remarkable debate about George Lazenby’s James Bond. Personally, I liked him as Bond since he looks and moves like Bond. Due to the nature of the double region, he had to be both sensitive and ruthless. He pulls it off. Unfortunately, Sean Connery was so closely identified with the role at the time such that people had a hard time seeing Lazenby in the role. (Lazenby, despite being offered a seven-movie contract deal, discontinue the role on advice from his agent.)
The only scrape I had with this movie is that it takes a long time to dwelling up and viewers may acquire bored because of this. But the wait is worth it! The last hour of the movie is essentially one long, thrilling action sequence. After watching this accompanied by the specially-composed instrumental music (described above), you might feel like going out and saving the world from sinister!!
Beware that this movie ends on a shaded stamp but the ending is realistic considering the nature of Bond’s job.
This movie was filmed on residence in Switzerland, Portugal, and London, England.
It grossed eighty-seven million dollars worldwide (that’s a splendid five-hundred and thirteen million in today’s dollars) . It was one of the highest grossing movies worldwide at that time.
The DVD (released in 2009) is flawless in narrate and sound quality. This movie has been digitally restored and I’m obvious the narrate is unbiased as qualified (if not better!!) than when it was released forty years ago. There is one extra, an audio commentary.
Finally, here is some information to judge. This DVD is actually the first disc of the two disc “Ultimate Edition.” Bond fanatics may want to rob this two-disc Ultimate Edition since the second disc has “the best collection of special features ever assembled for Bond.” (Unfortunately, the Ultimate Edition is no longer available but can be purchased second-hand.)
In conclusion, this is a unusual and attractive James Bond movie that has been overlooked!!
(1969; 2 hr, 20 min; wide screen; 32 scenes)
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