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This movie beats out 12 O’Clock High in my book–It focuses on a conflict of priorities between commanders. Gable is the clear hero, but it is positive that his boss, looking at the “Enormous Characterize” may have a point as well. If nothing else, piquant for illustrating the maneuvering over public image that sometimes drove military strategy, even in the years before CNN.
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In a larger sense “Philosophize Decision” is not really a war movie but a film about the responsibility of yell and leadership. It is one of the few films that effectively explores these topics; and belongs factual up there with the unique “Flight of the Phoenix” and “The Red Tent”. Not having the visual power of those two films (the shrimp combat/action scenes are almost entirely stock footage), it must focus more narrowly on the human complications arising from the responsibility of screech. The contradiction being that while a leader must halt to be human, no one who can do this is fit to be a leader.
Adapted from a stage play, “Drawl Decision” suffers from a aesthetic amount of “long-windedness”. Fortunately the most long-winded character (Major General Kane-played by Walter Pigeon), is well written and has many immense things to impart. Worthy like his character in “Forbidden Planet”, Pigeon is tasked with inserting historical and philosophical details into the tale, and his commanding mask presence makes him ideal for this purpose.
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Brigadier General K.C. Dennis (Clark Gable) has the most conceal time and most consuming role, as his character is the guy stuck between a rock and a hard site. He is accountable for making the hard decisions that send his men off to die, but has a fragile authority dependent on how distinguished independence his superiors are allowing him at a particular point in time. Gable does fair in this portion, probably his best totally “serious” performance. Although the film takes peril to expend the German high grunt to illustrate examples of abominable leadership, it is easy to infer that the same mindset applies to the Allies. With many military leaders distorting events to mask their occupy ass and willing to sacrifice men for their maintain career advancement and personal ideology.
The premise of the film is the Air Corps discovery that the Germans have developed the first jet combat plane. Based on the proper life Messerschmitt Me-262 (shown as a model in the film and in some archival footage), it is called the “Lantze-Wolf” here and considered so effective as a fighter aircraft that beefy production would allow the Luftwaffe to get air supremacy over Europe.
The planes are being assembled in three cities deep in Germany. The only hope to delay their plump production is “Operation Stitch” (named for its goal of gaining a stitch in time), a idea to attack these sites through unsafe daylight bombing raids. Unsafe because they will be heavily defended and because the bombers will have to go the final hundred miles without fighter escort-since the America fighters do not have the range to arrive and return from the target. This type of daylight bombing was called precision bombing because the bomb-site was more effective with better visibility and a lower altitude. The alternative was safer but less correct saturation bombing at night (insert Dresden here) .
General Dennis must determine whether to initiate the operation, and then when the bombers capture gigantic punishment he must determine whether to continue in the expectation of additional high losses.
The film takes determined historical liberties as only after a postwar evaluation of the accurate ME-262 did anyone really understand its strategic potential (in the hands of well trained pilots) as a fighter aircraft. Until the slay Hitler insisted that it be utilized almost exclusively as a bomber. Although able to carry out this alternative role, its bomb load capacity was too puny for any considerable impact. That the ME-262 is more a footnote to the war than a major element was due more to Hitler’s decision than to any allied efforts to limit its production.
Then again, what do I know? I’m only a child.
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