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a/k/a Tommy Chong Streaming.
Movie Title: a/k/a Tommy Chong a/k/a Tommy Chong is available for streaming or downloading. |
A/K/A Tommy Chong is an captivating peruse at the doper comedian’s moral troubles in the early 2000s. For those who don’t remember, the U.S. Government arrested Chong because he sold bongs over the Internet. Filmmaker Josh Gilbert follows Chong to prison (where he served nine months) and covers his life after his release.
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There is a lot to like in this film. The film recounts Chong’s life anecdote and he is an bright character; he grew up half-Chinese, half-Caucasian in 1950s Canada. Chong also played guitar as a member of the 1960s rock band the Vancouvers, for whom he wrote a top-40 hit (”Does Your Mama Know About Me”) .
The film does a edifying job of recounting Chong’s initial meeting with Cheech Marin and the beginnings of their career as “Cheech and Chong.” I did not deem that the film did a particularly pleasant job of explaining Cheech’s decision to disband Cheech and Chong. The only interviews with Cheech are archival and Cheech’s absence is sure throughout A/K/A Tommy Chong.
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The presentation of Chong’s drug case is more “hit and miss.” Viewers likely will be fascinated at the steps to which the Feds went to bust Chong. (According to Chong, his company did not ship bongs to Pennsylvania because his employees knew that it was illegal; the film details the contrivances the Feds frail to come by Chong to ship the bongs that ultimately landed him in prison to Pennsylvania) . It is difficult to fill that the U.S. Government spent over $12 million to place Chong in jail. While one may inquire of whether there was a vendetta against Chong, it is revealing that he was the lone defendant without a prison picture (of 55 charged) to back jail time.
Other aspects of the film are not as appealing. Many of the peripheral characters in Chong’s life appear in the film, but contribute miniature. Chong’s wife Shelby comes off as his Yoko Ono - an untalented schemer who got her husband to attach her on stage. Chong’s cellmate and his son (Paris) both appear in segments that should have been lop. There is a dull series of interviews in which people elaborate how easy it is to develop a bong.
The film “stacks the deck” in Tommy’s favor, so you might wonder if there is another side to the account. The Government officials who prosecuted Chong are all but accused of fascism. (Filmmaker Gilbert takes a cheap shot in noting that prosecutor Mary Beth Buchanan grew up in “an all-white town,” as though that alone is sufficient to convey her dastardly plans) . Gilbert also includes interviews with self-aggrandizing celebrities such as Jay Leno, Bill Maher, and journalist Eric Schlosser.
In the waste, despite its shortcomings, A/K/A Tommy Chong is well worth a ogle. Chong recounts toward the waste of the film that many people ask him what prison life is like. Chong said that he replies, “You’ll procure out.” That line made me contemplate. Whatever your politics, the film will force you to deem what role the U.S. Government should play in regulating drugs and punishing those who fracture drug laws. (Perhaps this is the first Tommy Chong film that ever forced anyone to judge) . As to whether Tommy is a martyr, a stoner who pushed the Government “over the line,” or a small of both, viewers will have to contemplate for themselves.
Tommy Chong’s drug tale is a unlit memoir told over and over again in our society where someone who is basically harmless and goofy is made an example of by a repressive segment that simply resents his lifestyle. The citizenry did not relieve from this prosecution one bit and, in fact, a lot of money was wasted.
Sure, let’s prosecute scum like the gradual Pablo Escobar or some shameful life like that but these pointless foolish celebrity cases of an lively doofus who likes bongs are utterly meaningless.
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