Stream House of Flying Daggers Online

April 22nd, 2010 by grady4147535
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Movie Title: House of Flying Daggers
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Soon following the success of ‘Hero,’ director Yimou Zhang made another film featuring delicate Zhang Ziyi. One of the apt news for Zhang Ziyi fans (including me) is that ‘House of Flying Daggers’ features her almost all through the film. And this time director’s stress is clearly given to the romantic side of the account — and as if to match his procedure, ‘House’ looks more sparkling, luminous, and resplendent, than ‘Hero.’ And there are actions, and some of them are quite fresh.

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The film is position in 859 AD, last days of the now faulty Tang Dynasty in China. One underground sect called House of Flying Daggers are openly keen the authority of the government, and to crush these rebels, two officers Jin — also known ‘The Wind’ (Takeshi Kaneshiro, ‘Chunking Express’) and Leo (Andy Lau, ‘Infernal Affairs’) judge of a apt conception.

Jin goes to meet a blind courtesan Mei (Zhang Ziyi), who is suspected to be connected with the secret clan, and he gains the confidence of this comely dancer by some tricks — tricks meaning ‘love.’ Produce her fancy you, and you acquire her secret. Hopefully she will lead Jin to the hiding space of the ‘House of Flying Daggers,’ but before the understanding starts, Leo warns Jin: ‘Don’t tumble in care for for right.’ But who can resist Mei’s beauty? Or Zhang Ziyi’s for that matter?

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The rest of the anecdote is very melodramatic, and the film sometimes needs a kindly amount of suspension of disbelief (especially for Western audiences, I’m stupefied) . But, though melodramatic, it is aptly so, as this is basically about a romance, or a cherish myth. Those who like the romantic mood in films would understand what I say. It’s all about the tension and mood, and ‘House’ has lots of them.

Actions are done by Tony Ching Siu-Tung, whose CV includes the action director of ‘A Chinese Ghost Anecdote.’ He gives worthy martial arts actions here again, without using too grand of now-too-trendy wire actions. As the film title shows, there are some effectively shot scenes of ‘flying daggers’ which, with a fine consume of CGIs, gives a few of thrilling moments. And like I said before, the battles in the midst of a deep bamboo forest are not to be missed, if you are a steady Hong-Kong film fan.

Costumes are provided by Emi Wada (as in ‘Hero’), whose intellectual dresses are unprejudiced astounding. Particlularly those long-sleeved dancing costumes for Zhang Ziyi not merely enhance the exotic beauty of the dancer, but things to be treasured on their have merit. And Kathleen Battle sings the theme song at the destroy of the film.

But first and foremost, to me, the film is made for Zhang Ziyi. Did I say she is dazzling? She is, and breathtakingly so, when her character betrays her hidden emotions before the camera. And sometimes the film reveals the character’s very sensual side — I say, for a Chinese film, of course, but it was a small surprising.

Of course, top-credited Andy Lau and Takeshi Kaneshiro are the stars, and they are very safe. The film is always magnificent to gaze, from the first to the waste (the snow field was shot in Ukraine) . And if you’re a fan of Zhang Ziyi, this one is not to be missed for it’s not too considerable to say that it belongs to her.

Since none of the other reviews for this movie seem to focus on the Blu-Ray disc, I decided I’ll throw my $.02 in.

The movie is a very wonderful, well told account. The other reviews say you that. What they don’t declare you is that the Blu-Ray version is a demolish of money.

The first hiss I had when playing the movie was the menu. Something told me that when the menu approach on and it looked no better than DVD that something was amiss. I had hoped it was impartial the menu. I was substandard.

I then started the movie up with subtitles and when the sincere movie started I raised my hand to my head and began to scratch it. The video looked Contemptible. Pixelated and blurry and lacking detail.

I paused the movie unprejudiced before the drum scene. I then effect the DVD into my Oppo 971 DVD player, switched the input on my TV to the DVD player and skipped to the same scene on the DVD. I was amazed. The DVD upconverted to 720p using the Oppo 971 looked BETTER than the 1080p image coming from the PS3 through HDMI! The only dissimilarity is that the PS3’s image is a bit brighter. This may be because I haven’t calibrated the color for the HDMI input and not a honest representation of the transfer.

The sound is really well-behaved, but not a whole lot better than the DVD. It certainly isn’t worth the mark to upgrade to Blu-Ray when the sound nearly imperceptibly changes and the video looks this abominable.

Looking at reviews on-line for the disc and given they were giving the movie decent video ratings, I opinion it may be a plight with my setup, so I called Sony’s PS3 aid line and basically was told that as long as my other movies looked genuine (Corpse Bride looks simply resplendent in Blu-Ray) that it was likely the diagram the movie was authored. Fair unlit that Sony, who are the biggest backers of the format, can’t even author a movie properly. I have since learned from sources other than people trying to explain the expense of their $1000 players that HoFD is widely regarded as Sony’s most poorly authored Blu-Ray title. Portion of the boom may also be that Sony has an aversion to VC-1 (which is supported by Microsoft) and instead focuses on using MPEG-2 to encode the video. Talledega Nights also uses MPEG-2 but looks light years beyond HoFD.

Do yourself a favor if you want to acquire this on Blu-Ray; set aside yourself some money and select the DVD version instead. The sing doesn’t change and it honestly looks better than the Blu-Ray disc. If you want something to exhibit off the clarity of Blu-Ray, choose up Corpse Bride.
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Stream Eureka: Season 3.0 Online

April 21st, 2010 by grady4147535
Stream Eureka: Season 3.0 Online. Stream Eureka: Season 3.0 Online.

Movie Title: Eureka: Season 3.0
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Eureka: Season 3.0 is available for streaming or downloading.

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There’s some not-so-pleasant changes in store for the itsy-bitsy town of Eureka.

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“Eureka Season 3.0″ (meaning the first half of the third season a la “Battlestar Galactica”) provides plenty of those, which adds some fresh tension to geniustown (including some rather unpleasant cast changes and a unusual “love-to-hate” person) . It’s kind of disconcerting to only have eight episodes, but they have the signature mixture of warm comedy and keen sci-fi mystery.

Among the changes in store: Alison (Salli Richardson-Whitfield) and Nathan (Ed Quinn) discover remarriage, and Henry is in jail. And the DOD sends in a corporate “fixer” named Eva Thorne (Frances Fisher) arrives to slash the deadwood from Global Dynamics. But then an anti-missile VIPER drone goes AWOL during a flight test and starts threatening Eureka, while Thorne decides to embed herself in Global Dynamics as one of the fresh bosses.

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And while Eva ruthlessly makes GD “kindly,” the usual sci-fi disasters slice up. Carter has to deal with bizarre transformations in a sealed biosphere, a wedding-day timeloop, exploding biomemetic dogs, an impossible volcano brewing under Eureka (and which sprays improper fluids on people), an inept spandex-wearing “Captain Eureka,” a mayoral election heated up by an artificial supernova, and a swarm of worn Egyptian insects.

In the meantime, Thorne is snooping around Eureka in search of something. Her quest leads to the discovery of a titanic military despicable, and some bodies stupid since 1939 — and a bizarre substance that threatens Zoe’s life after she slips and falls in it.

Apparently the once all-important Artifact is yesterday’s business, because the sad subplot of “Eureka Season 3.0″ is the mystery prewar bunker and whatever Thorne wants destroyed. It adds a nice undercurrent of conspiracy and tension to this season, though the focus is always first and foremost on our Everyman Sheriff, and how he tries to deal with the Horrific World-Ending Scientific Crisis of the day.

That’s a nice balance, because the rest of the season flows in a river of gentle humor and improper scientific problems. Plenty of unique inventions (cloud sculpting, flying rabbits and robot pooches), fun tongue-in-cheek dialogue (”They killed the infected and burned the city to the ground.” “Let’s call that Thought B”), and hilarious comedic moments. And Carter’s always in the middle of it, trying to unravel a blueprint to fix things.

But it’s worth noting that while the Disasters Du Jour and the bunker plots are dealt with by the eighth episode, the half season ends with a cliffhanger for one character. Unbiased sayin’.

Ferguson does a shiny job as Carter, the down-to-earth Everycop who impartial wants to do his job (”It’s all fun and games until someone gets cursed”) . But Carter has some unusual problems in this season — his new-agey, pregnant sister moves in with him, and Zoe continues to spread her wings with a job and boyfriend. Erica Cerra’s Jo experiences some relationship woes, while Richardson-Whitfield’s Alison is establish in the status of being graceful powerless. Sadly, a longtime cast member also exits the scene early on.

This season also sees the return of Henry, whose skills turn out to be too invaluable for him to rot in prison — and he even gets a unique job on top of his customary one. And Fisher turns out to be a expansive addition: she initially makes a expansive steely-eyed corporate dictator, but the facade cracks as time goes on, and we acquire to perceive that she’s stunned by something unpleasant in the past.

“Eureka Season 3.0″ is plan too short (current episodes coming in July), but it calm has the original mix of out-there sci-fi and small-town comedy. Definitely unruffled worth the seeing.

Due to the writers’ strike two years ago, all scripted shows were unfortunately shortened, resulting in seasons where it was months between recent episodes. For some shows, the wait was too long and some were eventually cancelled due to unpleasant ratings.

Luckily, for fans of Eureka, the creators simply split the season into two parts; an eight episode arc, which aired last July, and the second one, which premieres this July. The result is a longer season spread over two years, worthy like Battlestar Galactica. Some may call the upcoming episodes Season Four, but it’s technically the second half of Season 3.

In any event, the first half of Season 3 is now out on DVD, objective in time for the premiere of the remaining season. And while short on episodes, the point to was at the top of it’s game this season. I don’t know about you, but to me this explain is like comfort food. I like the characters and I admire the world they inhabit. A perfect cast led by Colin Ferguson secure the most out of the sometimes wonderful situations. I won’t go into the whole record arc, suffice to say that there is a unique arrival in Eureka, who harbors a substantial secret about the town’s past. And as the saying goes, out with worn and in with the modern, as SPOILER ALERT! a regular cast member departs midway through.

So while it might be frustrating to only have eight episodes here (and I watched all of them in one afternoon!), I personally consume quality over quantity. My only wretchedness with this plot is a lack of an episode guide. That, and it would have been gargantuan to have the musical promo they did before the first episode last year! It was terrific and it’s kind of a tease that they mention it in the music featurette and prove a clip of it too, but not the whole thing. That’s only a shrimp complaint, because really the episodes are what it’s all about and I absolutely recommend picking this up!

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Watch Mary Poppins Online

April 20th, 2010 by grady4147535
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Movie Title: Mary Poppins
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Mary Poppins is available for streaming or downloading.

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Mary Poppins may be =the= stand-out live-action movie that Disney has ever produced. Or will ever perform.

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All the songs are very memorable. Who out there does not regain themselves humming or even singing along with the likes of “Chim-Chim-Cheree” or “Spoonful of Sugar”?

Julie Andrews will always be remembered for her role as Mary Poppins, and Dick Van Dyke absolutely shines as Bert the Chimney Sweep. Van Dyke also plays the senior officer of the bank - and has his very best scene where he realizes that the punchline - “A wooden leg named Smith” - is humorous. Andrews won an Academy Award for Mary Poppins, and the movie also won Best Visual Effects, and Best Music Regain, as well as Best Song (”Chim Chim Cher-ee”) .

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The scene where “I fancy to laugh” is particularly poignant. Ed Wynn died not long after the release of Mary Poppins, and shows some of his best comedy style in this scene. Very funny.

The record is agreeable and has a astounding accurate without being too “preachy”. It was a very obedient adaptation from the unique current, and it’s a shame Disney never did any of P L Traver’s fill sequels to Mary Poppins.

The appealing bits are a slight flat by today’s standards, but they add a extraordinary whimsey to a stellar production. Highly recommended to any family with children. A must-buy for Disney fans.

This is the far better, two-disc, 40th anniversary edition that not only restores everything to digital quality, but adds a second disc of deleted scenes (and a song!), commentary, and many other cold current features. Gaze for the modern 40th anniversary DVD edition - it’s worth waiting for!

It’s unprejudiced supercalifragilisticexpialidocious!

“Mary Poppins” is one of that pick group of films that can truly be called ‘Classic’, a project conceived in care for and filled with so powerful child-like wonder that it will never grow ancient or ‘out-of-date’. Certainly the crowning achievement of Walt Disney’s grand career, the “Mary Poppins” 40th Anniversary Special Edition is simply aesthetic!

Based on P.L. Travers’ tales of a magical nanny who arrives to bring families closer, the rights to the stories had been pursued by Disney since 1938, but Travers had seen what studios had done to other authors’ works, and withheld her approval unless she could acquire some creative control. Years of negotiations only whetted Disney’s desire to obtain a definitive, truly ’special’ film, and by 1960, despite the box office failure of another fantasy-themed ‘pet’ project, “Darby O’Gill and the Exiguous People”, he was more confident than ever in the story’s potential, bringing together a mighty array of talent, including songwriting brothers Richard and Robert Sherman, production head Bill Walsh, and the lustrous artist Peter Ellenshaw to ‘visualize’ 1910 London through his matte paintings.

With Travers’ grudging approval, casting began. While American stage and TV star Dick Van Dyke was an uncommon choice to play a Cockney chimneysweep, he was a gifted mime and physical comedian, and had such a wholesome exuberance that Disney knew British audiences would forgive his shaky accent. Current British actors Glynis Johns and David Tomlinson would play the preoccupied parents, with Karen Dotrice and Matthew Garber (from “The Three Lives of Thomasina”) as the neglected children. Extinct stars Ed Wynn, Elsa Lanchester, Reginald Owen, Arthur Treacher, and Jane Darwell (as the Bird Woman, in her last shroud appearance), headed the strong supporting cast.

But it was the casting of Julie Andrews, in her first film, as Mary Poppins, that truly ‘made’ the film! Passed over by Jack Warner for the movie version of her stage hit, “My Dazzling Lady” (he opted for Audrey Hepburn), Disney caught her performance in “Camelot” on Broadway, knew, instantly, that she was the legal ‘Mary’, and approached her for the role. “But I’m pregnant,” she told him. “No predicament,” he replied. “I’ll wait!”

And thus a Classic was born!

A multiple 1964 Oscar winner (including ‘Best Actress’ for Andrews, who got to part the stage with her “Lady” costar, Rex Harrison, who won ‘Best Actor’), the film was a major hit, worldwide, and rapidly achieved the legendary space it holds today.

For it’s 40th Anniversary, Disney’s heirs have place together a spectacular package; along with the digitally-remastered film (it looks and sounds Edifying!), a second disc of additional features includes a joyous reunion of stars Andrews and Van Dyke (who both seem ageless!) ; reminiscences of Robert Sherman, who sings a cute ditty crop from the final film; a sharp 50-minute “behind-the-scenes” documentary about the production; featurettes on how the FX were achieved in several key scenes; and grand, Powerful more! As the owner of several “Special Edition” Disney DVDs, I can honestly say, THIS is the BEST, yet!

With the holidays expeditiously approaching, I can’t assume of a finer gift to give, or to derive!
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Streaming Old Gringo Online

April 20th, 2010 by grady4147535
Streaming Old Gringo Online. Streaming Old Gringo Online.

Movie Title: Old Gringo
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This movie was a surprise to me and a obliging one and I would actually rate it four and a half stars. While I have never read the book on which it is based, I found it a haunting and memorable work of art in itself. The figure of Ambrose Bierce, as played by Gregory Peck, is quite bright but unless you are familiar with the writer (and even if you are) you may accept the characterization rather hard to comprehend. However, Peck’s performance is strong enough to carry you along despite this and his interaction with the other two characters–the frustrated spinster, played beautifully by Fonda, and the volatile and sexy rebel general played equally well by Smits–is totally inviting. The worship triangle, which seemed more of a father-daughter-lover relationship, could have been fleshed out more but was aloof magnificent riveting. However, the genuine pull of the film is the beauty of the cinematography in battle scenes, like scenes and interiors, equally; the passion and brutality of the revolutionaries and at the same time their humanity, and the connection between the rather wildly different three central characters based on that humanity and despite the brutality, all during an account era in the history of Mexico. I have watched this film several times now and each time I win original reasons to esteem it, not the least of which is that it is unprejudiced a astonishing account about characters who are electric, vibrant and mesmerizing in their search for meaning in their lives. It is quickly becoming one of my all-time favorites.

Because the events of the film occur during the revolution in Mexico, one might be tempted to assume of Veteran Gringo as an action oriented war film. Not so. It is a visual and emotional feast, a slice-of-life film that truly makes you feel what it must have been like for an American woman in a foreign country. The trio of actors, Jimmy Smits, Jane Fonda and Gregory Peck, are outstanding. Be prepared to deem and feel. This is a rich feast indeed.
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Stream The Train Robbers Online

April 19th, 2010 by grady4147535
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Movie Title: The Train Robbers
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The Train Robbers is available for streaming or downloading.

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The Exclaim Robbers is a behind film of the Duke’s, but it is aloof an fascinating film. Directed by Burt Kennedy, the narrative follows a widow who hires Wayne to escort her to a cache of hidden gold that belongs to her recently deceased husband. Joining Wayne are a couple of passe friends who reach along. There are not any identifiable terrible guys except for a nameless group of gunman making their believe go at the gold. This is not a enormous John Wayne western, but it is not the worst. Unexcited very keen.

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What carries the movie is the friendly cast in benefit of John Wayne. Joining him are Ann Margaret as the widow Mrs. Lowe, Rod Taylor, Ben Johnson, and even Ricardo Montalban in a minute but droll role. Taylor and Johnson are spacious together as Grady and Jesse, two broken-down friends of Wayne’s Lane. There’s a history among the three characters which provides plenty of laughs throughout the movie. Also riding with Lane and Co. are Christopher George in a obedient supporting allotment as Calhoun, Bobby Vinton, and Jerry Gatlin. And be distinct to stick around till the kill for Montalban’s revelation at the destroy. You won’t be disappointed!

The DVD offers some decent features, especially since many John Wayne DVDs are bare-bones. Along with a gorgeous widescreen presentation, the DVD has a trailer gallery of JW movies and two first-rate featurettes, “The Wayne Mutter” made during the filming of the movie, and “Working With a Hollywood Account” interviews with a spacious stuntman, Dean Smith, attractive his work with Wayne. This is a kindly western that deserves a see if for nothing else than the twist at the demolish. Very absorbing!

I would considered Swear Robbers to be one of John Wayne’s underrated western movies he have made during his post Fair Grit era. While its not as proper as some of his earlier ones, it probably the best one he made between Fair Grit and the Shootist (next to Rio Lobo) . The Deny Robbers seem to be a throw abet to John Wayne’s older westerns. The narrative developed slowly but with a purpose as the characters find ironed out. Ann-Margaret plays widow trying to restored family honor by getting the half million dollars worth of gold attend to the content company from which her husband stole it from. John Wayne and his gang tries to helped but the usual unpleasant guys, the slack husband’s gang gets into the intention. Its an adventure all the blueprint.

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John Wayne does his usual enthralling self but he is superbly supported by Rod Taylor and especially Ben Johnson. It was also a pleasure to notice Christopher George as well before his illness took his life prematurely. Key element of any John Wayne movie was his interactions with his co-stars and they all blended in perfectly. The humor was helpful and some of the one liners proves to be classic. Ann-Margaret does quite well but she sounds itsy-bitsy phoney from the beginning and that was bit of a give away as we reached to the kill of the movie. At least for me, the ending didn’t surprised me as noteworthy as it did for some people.

The movie weaknesses lies in the fact that John Wayne and his gang seem to be impartial too goody two shoes to be just. The dreadful guys were unbiased props in the movie and their job was to rep shot. They don’t seem to be very quick-witted abominable guys either. Making banzai charges seem to be a trademark tactics to effect the fine guys victorious. Bobby Vinton and Jerry Gatlin were virtually wasted in their roles. In some ways, they seem to be no more then the terrible guys although they don’t secure shot!

The DVD version of Deny Robbers seem to be well presented. I owned a regular TV so I would say from that point that the narrate is distinct and the sound proves to be crisp on my Dolby system. The DVD movie advance in its widescreen format. I have to admit that this was the first time I saw this movie in widescreen since 1973 when it first came out. There isn’t grand of a special features. One feature got several old-fashioned stuntmen who worked with Wayne, singing their praises of him. Second feature is a promotional job for the movie. Then you got your trailers feature. That is objective about it. Heavenly slim pickings if you asked me.

Overall, a exquisite engrossing and appetizing film despite of its inherited flaws. I would give it a 3.5 stars if I had a choice. John Wayne fans should be highly please with this movie. It should please most western fans and might be mildly gripping for causal viewers.

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Streaming Born to Fight Online

April 18th, 2010 by grady4147535
Streaming Born to Fight Online. Streaming Born to Fight Online.

Movie Title: Born to Fight
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Dan Chupong stars as a cop who goes with his sister to a charity event that is supported by Thai Olympic athletes. His sister is a Taekwondo champion and many other trusty life Olympic champions are at the charity as well. When an outrageous army takes over the town where the charity is being held, the athletes must benefit the village fight the terrorists.

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The action is mostly stunts. All trusty stunts, though they do high-tail in a bit of C.G.I. There is the occasional fight, but it is all about the stunts in this movie. There are scenes where guys go flying through the air doing multiple flips and destroy with crashing into a burning frame of a building! Words can’t really characterize how fantastic the stunts are, it is impartial something you have to spy for yourself. And don’t believe that there are unprejudiced 1 or 2 action stars in the movie. ALL of the actors can do their hold stunts. The people who fight in the movie range anywhere from age 8 to 80. There is even a one-legged guy who gets to point to off his skills! You also have the scene where they fight with actual firelogs. Not a firelog hitting someone in the head once and then a reduce, but long, extended takes of actors hitting eachother over and over again with accurate thick firelogs and embers flying in everyone’s eyes. It would choose a review literally 20 times longer than this to go over all the wonderful things that happen in this movie. It is your average stammer to TV action movie, but with some of the greatest stunts ever filmed. If you are a fan of the ultra extreme budget films that Panna made in the 80’s and 90’s, you will be contented to gawk what he can do with an almost limitless budget.

3.5/5

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Picture quality and sound are perfect. English dub included if you don’t like subtitles.

The only special features are a commentary from Bey Logan, a 5 shrimp gaze slack the scenes, and a tremendous 65 shrimp documentary on the making of the film. Nothing like Dragon Dynasty’s release of The Protector (Two-Disc Collector’s Edition), but tranquil very informative.

I will waste this review with some of Prachya Pinkaew’s thoughts on Hollywood action cinema compared to Thai.

“I assume if we’re going to spend lots of techniques like Hollywood, or exercise lots of money or lots of C.G., we won’t be able compete with them. The only draw we could compete with them is in terms of our body, our skills, and our heart. We place these 3 things together. I frail to direct our crews that we lose the battle before we even inaugurate. The only thing we could expend to compete with them are our lives, meaning you have to trade your life for the movie. It might sound a bit too mighty, but it means you have to sell your skills, your confidence. You have to risk your life. What you accept in return is a determined uniqueness, which looks most risky. We’ll remain fresh for a very long time.”

BORN TO FIGHT (1986)

Panna Rittikrai stars as a cop hired to pick up a lawyer who is in concern. The chronicle is not worth going over. The only reason to spy this movie is for the unbelievable stunts and paunchy contact fights. Maybe Panna was unprejudiced angry at these guys in dependable life, but he seriously beats them down hard in the movie. And glimpse out for one of the craziest motorcycle stunts you will ever peep.

3/5

Movie is fleshy shroud but relate quality is decent. It is better quality than the Thai VCD.

Special features on this disc include a 15 puny interview with Tony Jaa and Panna. It is basically Jaa’s life memoir. One heck of a special feature.

My popular feature is the 35 shrimp documentary on what it takes to be one of Panna’s stuntmen.

The 4 shrimp interview with a producer of many Panna films could have been longer, but is serene informative.

The last 2 special features are an Ong-Bak spoof commercial and an curious 13 shrimp Saturday Night Live type Ong-Bak skit.

If you gain this movie at a obvious store with the initials BB, it comes with a bonus movie, Thai Police Anecdote. I don’t know the Thai name, but it is the one where Panna is fighting 4 guys on a interesting truck and one guy gets thrown into a Pepsi billboard. Only 57 minutes long, but I actually liked this movie a small bit more then Born to Fight 86. So obviously the strange 2-disc area is a MUST have for Panna fans.
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Streaming Leave It to Beaver - The Complete First Season Online

April 17th, 2010 by grady4147535
Streaming Leave It to Beaver - The Complete First Season Online. Streaming Leave It to Beaver - The Complete First Season Online.

Movie Title: Leave It to Beaver - The Complete First Season
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Leave It to Beaver - The Complete First Season is available for streaming or downloading.

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“LEAVE IT TO BEAVER: THE COMPLETE FIRST SEASON” ………

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At-A-Glance DVD Stats:

Number of Episodes — 39.

Number of DVDs — 3 (Dual-Sided; Dual-Layered; DVD-18) .

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Video Aspect Ratio — Rotund Frame OAR (1.33:1) .

Audio — Dolby Digital 2.0 Mono (English only) .

Color or B&W? — B&W.

Any Bonus Stuff on the DVDs? — Yes … The LITB “Pilot” Episode (”It’s A Little World”) .

Subtitles — English and Spanish.

“Play All” Option Included? — Yes.

Chapter Stops Included? — No.

Are These Episodes Complete and Unedited? — Yes.

Booklet Included? — No.

DVD Distributor — Universal Studios Home Entertainment.

DVD Release Date — November 22, 2005.

————————————————–

The 1950s-1960s family sitcom “Leave It To Beaver” had never been made available to fans via any kind of major studio release on home video throughout all these many years of home-video formats (Beta, VHS, LD, or DVD) — until the long-awaited date of November 22, 2005, when Universal Studios Home Entertainment released “Leave It To Beaver: The Complete First Season” on DVD.

And the first 39 “Beaver” episodes survey fair terrific here. The video quality for these black-and-white programs is extremely grand, and the audio is very righteous too (by procedure of the very agreeable and clean-sounding Dolby Digital 2.0 soundtracks that faithfully reproduce each episode’s unusual Mono audio) .

Thankfully, Universal has done a bang-up job with the digital transfers here, and these shows (which were originally photographed on film, not videotape) gape and sound extraordinary on these DVDs.

There is, however, a obliging deal of pleasing “film grain” contained within a lot of these episodes, but I’m assuming that is simply inherent to the type of film stock that was old for this series. The grain isn’t very distracting (at least I don’t have a major scrape with the grain speckles that exist here) . Interestingly, though, I’ve noticed that many scenes in these episodes don’t seem to have any “grain” in them at all, while other scenes hold a lot more. The “outdoor” shots examine almost completely grain-free.

Another very heavenly thing to me personally is the fact that all these DVDs pass the “freeze-frame test” with flying colors (i.e., when pausing or freezing an image on shroud, the video doesn’t “blur” at all; it stays rock-solid and definite while in “halt” mode; which, IMO, is a note of a pleasurable film-to-DVD transfer) .

All things considered, I could not be happier with the plan these episodes peep on these DVDs! And thus far I have no complaints about the performance of the sometimes-temperamental two-sided discs that Universal insists upon using for its TV-DVD releases. Nary a hitch has been experienced while playing these discs.

According to the stats on the packaging, the episode running times here average out to exactly 26 minutes per program (including the 40th episode in the situation, the Pilot), which indicates to me that the following glorious terms apply here: “Rotund”/”Complete”/”Uncut”/”Unedited”! And this is stout to behold, because the syndicated versions of this series that have aired on commercial TV for decades have all been hacked to pieces, with each episode having at least a few minutes sliced out of it due to commercial time restraints.

I did a “time check” for each of the seven LITB shows on Side A of Disc #1. The results made me smile (in an “uncut” and “complete” sort of fashion) . Here are those hasten times (not counting the 22-second Universal fanfare and logo that’s included prior to every episode, which can be posthaste bypassed via the Chapter button) :

“Beaver Gets ‘Spelled” — 25:48.

“Captain Jack” — 25:48.

“The Dusky Sight” — 25:49.

“The Haircut” — 25:44.

“Recent Neighbors” — 25:44.

“Brotherly Savor” — 25:37.

“Water, Anyone? ” — 25:44.

So I consider it’s splendid to say that when fans notion any of these 39 programs, they will probably be seeing them uncut for the first time since their recent network TV airings in the gradual 1950s. I’m guessing that everyone who buys this DVD station will be seeing some scenes in a lot of these episodes that they had never seen previously. That fact kind of serves as an “added value” item all by itself.

I’m also gratified to gaze that these DVDs support all of the “Previews” (or “Teasers”) for the first-season “Beaver” programs. These brief preview clips were shown honest prior to the opening titles and give an overview of what’s coming up in that episode. These pre-show snippets, which last about 20 to 30 seconds each, were only done for the first season. Hugh Beaumont served as “narrator” for the teasers on the first 16 episodes. For the year’s final 23 shows, however, Hugh’s deliver is not heard, with unprejudiced an episode clip provided (sans any voice-over narration) .

——————

“Leave It To Beaver” premiered on CBS-TV on Friday, October 4, 1957, and continued on network TV for a total of six seasons, finishing its 234-episode hurry in 1963. Each of the six seasons consisted of exactly 39 episodes, a hefty number by today’s seasonal standards. CBS carried the explain for the first season only. For the final five years, “Beaver” was a fragment of the ABC-TV schedule.

The storylines extinct for “Beaver” were always very simple and uncomplicated, which is probably why it’s so charming and moving. No major earth-shattering disasters ever befall the Cleavers. Nobody ever gets harm (except an occasional scraped knee), the parents (Ward and June) rarely fight about anything serious and never threaten to leave each other (like you might behold on a indicate today), and above all, these characters really seemed to care about each other, without getting overly sappy and sentimental about it. All of these traits helped construct “Leave It To Beaver” what it was each week in 1957, and what I enjoy it remains today: objective a top-notch, shapely, fun, uncomplicated half-hour of spirited television.

Starring Jerry Mathers as “Theodore (Beaver) Cleaver”, Tony Dow as his brother “Wally”, Barbara Billingsley as “June”, and Hugh Beaumont as “Ward”, the pleasurable cast of “Leave It To Beaver” was a well-chosen group in my notion. While it’s just, I thunder, that the acting was a bit on the “stiff” side on many occasions, I collected deem that this ensemble did quite well on this demonstrate. A sense of just believability and realism finds its plan quite comfortably into each of these episodes.

Toss into this cast grouping the very amusing Richard Deacon, who portrayed Ward’s friend and co-worker, “Fred Rutherford”, plus Ken Osmond as the ever-sarcastic “Eddie Haskell”, Frank Bank as the wimpish (but always likeable) “Lumpy Rutherford”, Rusty Stevens as “Larry Mondello”, and all of Beaver’s and Wally’s other various friends, classmates, and schoolteachers, and you’ve got a really reliable supporting cast of characters to form stories around.

Some of my approved shows from this Season #1 Beaver batch include ….. “The Sad Seek”, “Beaver’s Short Pants”, “Party Invitation”, “The Bank Epic”, “Mumble Scuttle”, “The Perfect Father”, “Beaver Runs Away”, “Tenting Tonight”, and my #1 fave from this season, “The Haircut”, which has Beaver getting scalped by barber Wally in one of the funniest episodes of the whole series.

There’s also the humorous “Captain Jack” episode — which was the very first note to be filmed; but was the second program to be aired. “Captain Jack” has Wally and Beaver sending away for a pet alligator, and includes the very amusing scene where “Minerva” (the maid who we never peruse again) comes running up the basement stairs screaming “Encourage! A monster! There’s an alligator in the basement!” …. This is followed by Ward’s skeptical — “An alligator?!” (LOL.)

“Captain Jack” also has the distinction of being the very first episode in television history to prove a toilet on cloak. (The “tank” section of the Cleaver toilet is shown, not the [~gasp!~] “bowl” itself.) :-)

In fact, it was the “toilet” scene in “Captain Jack” that kept that episode from being aired by CBS as the debut explain of the series in unhurried 1957. But LITB prove executives, including writers Joe Connelly and Bob Mosher (who authored a expansive number of the 234 “Beaver” programs throughout its 6-year history, including “Captain Jack”), stuck by their guns and won the “toilet battle” with CBS bigwigs, and thus “Captain Jack” (toilet scene intact) was popular for network broadcast one week later, being aired on October 11, 1957, as “Leave It To Beaver” episode #2.

And yet another winning Season-One entry is entitled simply “Lumpy Rutherford” — where we gather our first eye at “Clarence Rutherford”, known to most people as “Lumpy” (or “The Lump”) . You’ll impress how Lumpy goes from being one of Wally’s feared enemies to one of his best friends as the series progresses.

There’s also a very nifty bonus program located on Disc 3 of this state — the novel “Leave It To Beaver” Pilot episode, entitled “It’s A Petite World”, which originally aired on April 23, 1957, as an installment of the syndicated anthology program “Studio 57″. The pilot episode is a attractive decent explain too, IMHO, with a estimable storyline (unlike a lot of series-launching pilots I’ve seen) . It’s fun to be able to witness the “genesis” of the series via the pilot, and I commend Universal for including it in this collection.

Both Barbara Billingsley and Jerry Mathers co-star in the “Diminutive World” pilot program, but different actors were cast in the roles of Wally and Ward. Paul Sullivan played Wally; while Casey Adams (aka Max Showalter) filled Ward’s shoes for the pilot only.

A 13-year-old Harry Shearer (distinguished mumble actor on “The Simpsons”) also was featured in the cast of the pilot episode. It’s a exiguous allotment for Shearer, but he was very grand as “Frankie Bennett”, an Eddie Haskell-like smart-aleck. I was very impressed by the “naturalness” of Harry’s performance.

“Leave It To Beaver” veterans Richard Deacon and Diane Brewster also are featured in the pilot (although not in the same roles that they ended up playing in the series) . Deacon’s fragment, in fact, is a fairly extensive one (as an executive for the “Franklin Milk Company”) .

The pilot has survived in very safe shape too (”PQ”-wise) . The video quality looks about the same as the other episodes in this plot, meaning it’s quite beneficial indeed. And it appears that the pilot is uncut/unedited as well, with a running time of 25:02.

——————

Let’s Talk Packaging………

Universal has offered up two different packaging variants for Season One of LITB. Each version is a 3-Disc region containing the real same disc mutter. You can determine the lower-priced package, which comes with a standard-style slipcase box that holds three “slim” plastic cases (one for each of the double-sided DVDs) .

Or — There’s the “Exiguous Edition” version, which includes “Premium Packaging” in the do of a collectible “Beaver Cleaver Lunch Box”. The Lunch Box is decked out in a plaid execute, and there’s a good-looking describe of a smiling Theodore “Beaver” Cleaver on one side of the box (although I don’t believe it’s a “Season 1″ photo of The Beav) ; while a pic of the whole Cleaver family resides on the other side.

It’s not a full-sized lunch box, however (and it doesn’t reach with a beverage-carrying thermos either; ~wink~) . It’s a mini version of the type of metal lunch box that can be seen veteran by Beaver in several episodes of LITB.

The Diminutive Lunch Box version also includes a “Cleaver Family Photo Album”, which is a mini-album containing six promotional snapshots of the Cleaver clan (plus one of Eddie Haskell) . The photos have a quote from the series written on the front, but no writing or captions on the relieve side. Each B&W pic is removable and slides into a obvious plastic sleeve. The album is nice-looking and sports a thick and well-”padded” vinyl-like shroud.

Now the poor news re. the Lunch-Box edition ….. Unfortunately, the Lunch-Box dwelling does not include the regular-style disc-holding case that comes with the Standard spot. The discs, instead, are held inside the photo album in three plastic sleeves. This, IMO, is not a respectable plot to store these two-sided discs. They are being rubbed up against the album sleeves whenever they’re taken out or returned to the sleeves, making them possibly prone to getting scratched more easily.

Plus, the device the album is designed, it’s a bit difficult to earn the discs out without a semi-struggle. Another debit is the fact you’re almost forced to handle the data sides of the discs in order to win them out of their sleeves. You cannot exhaust my preferred arrangement of “disc handling”, which is to buy the DVD up by sticking your finger in the center hole, while never having to touch the A or B side of the disc.

Another (major) negative factor to the Small Edition is the lack of any episode information anywhere. There’s no ep. guide booklet, nor are the episode titles listed anyplace on the disc-holding sleeves inside the album (and no DVD specifications info either) . Not a righteous thing. In fact, this lack of ANY program information is impartial flat-out ridiculous (especially for a product touted as a “Premium Gift State”) .

But, quiet, to assume a obvious near to this packaging topic, at least Universal is offering up a choice for customers, instead of providing ONLY an oddly-shaped disc-holding map.

While I like the Lunch Box and the photo album, I’d calm recommend getting the standard residence instead (due to its inclusion of a better and sturdier case to own the genuine DVDs; the “slim cases” are far better for housing the discs than the flimsier “sleeves” that near with the Lunch-Box pack) .

And, frankly, for the extra cost of a “Premium Puny Edition” status, I would have expected great better packaging for the valid discs, rather than impartial the sleeves which are provided. After all, it’s the discs themselves which are the “heart” of the collection; they deserve a better permanent home than what is provided in the Tiny Edition, in my notion. (Honest doesn’t produce noteworthy sense to me — Universal offers a region that they claim has “Premium Packaging”; and yet the packaging for the valid DVDs is far wicked to the non-premium alternative. Most titillating indeed.)

Also — Three of the six photos that approach with the Cramped Edition site are the sincere pictures that can be found printed on the abet covers of the three slim cases that reach in the Standard LITB edition. That fact dilutes the “exclusivity” of the Diminutive Edition a trifle, because those same pics can be seen on the Standard packaging too.

More Packaging Notes ….. The “Standard” set’s slim (distinct) cases feature different photos on each case — with unbiased “The Beaver” on the first case, a pic of Wally and The Beav on case #2, and a family snapshot on the third one. Episode titles for each disc are shown on the befriend of each slim case. There are no photos (or text) printed on the inside of the slim cases, which makes things seem a bit barren and bland when you originate the cases. (But at least they aren’t unprejudiced thrown in sleeves.) ;)

The Standard set’s outer cardboard box is simple in nature (and color) — gorgeous distinguished objective dreary white (with shimmering gold lettering traditional for the note title, which looks classy) . I like this dull white obtain for the screen, though. It has a kind of “vanilla” view to it, befitting the very simple and “vanilla”-flavored (but always fun-to-watch) episodes contained within this all-white box. Looks nice. Simple…but nice.

One limited gripe I do have with the Standard set’s box is the lack of any “Season 1″ notation on the spine of the box. There should at least be a “1″ printed someplace on the spine to separate this station from future LITB releases. This is the very first TV-on-DVD site I’ve ever bought that has no season-number markings on the spine whatsoever. A spellbinding omission.

——————

Menu Info ….. A nice, simple non-animated Menu form here. A recount of the Cleaver family is shown on the Main Menu for all discs. The LITB theme music plays on a continuous loop while the Main Menu is on veil. All other Sub-Menus are calm. Menu selections include: “Episode Index”, “Languages”, and a “Play All” option (plus a “Bonus Episode” Menu choice on Side B of Disc 3, for the Pilot ep.) . English and Spanish subtitles are also available. When an episode is selected, an “Episode Summary” Sub-Menu is displayed, which includes a synopsis for that episode and the fresh airdate.

From the “Right Shapely Episode Index” (which is what it’s called on the Menu to give things a friendly “Beaver Cleaver” flavor) there’s an additional Sub-Menu that can be accessed, an “Episode List”, which contains a listing of all the episode titles for Season 1 (on six Menu screens) .

No chapter stops have been inserted for any of these programs; and that’s a shame. At least a minimal number of chapter breaks would have been nice.

Some ads for other Universal DVDs reach into notion upon load-up of Disc 1 only (and only on Side A of Disc 1) ; but these advertisements, which last 4.5 minutes, can hastily be skipped via the remote control. The other normal mini-annoyances of DVD start-up (e.g., the studio logo and the FBI Warnings) can also be skipped in posthaste fashion, which is a plus.

——————

Here now is a seek at all 39 first-season LITB episodes that are included in this 3-Disc space (the shows are arranged in “Airdate Order” on the discs, unprejudiced as shown below) . The recent CBS-TV broadcast dates are also included in the following list, as well as some selected episode descriptions and droll quotes from some of my current episodes……..

LEAVE IT TO BEAVER — SEASON #1 (1957-1958) :

1. “Beaver Gets ‘Spelled” (First Aired: October 4, 1957) — This very first LITB episode has puny Theodore terribly upset after he’s given a effect to seize home from school. …. Eye for the very amusing (and somewhat “sharp”, for 1957 standards) dialogue exchange between June and Ward after June receives some flowers from Beaver’s school considerable that were really meant for Ward as a ‘get-well’ gift. June asks her hubby, suspiciously: “Who’s Cornelia Rayburn, and when did she survey YOU off your feet?!” ~ROFL!~ …. “Leave It To Beaver” shared its premiere date with another historic “first” — the Russians launched the first Earth-orbiting satellite (”Sputnik 1″) on the very same day, 10/4/57. It’s up to you to settle which event was the most important — Beaver’s debut or Sputnik’s? ~scratching cranium~ :>)

2. “Captain Jack” (October 11, 1957) — Via a magazine ad, the boys send away for a “Top-notch Florida Everglades Alligator” for $2.50. …. “You know, the dinky fella didn’t actually bite me; he kind of ’sawed’ at me!”

3. “The Gloomy Study” (October 18, 1957) — “Wally, you mean to squawk me that a GIRL gave Beaver that shadowy look? And I practically sent him over there to annihilate her!”

4. “The Haircut” (October 25, 1957) — This is an episode filled with laugh-out-loud moments, after Beaver loses his haircut money and decides to produce the hair-trimming himself (with a diminutive succor from brother Wallace) . …. “Do you have to wear those terrible caps night and day for a whole week? ” —> “That oughta do it!”

5. “Modern Neighbors” (November 1, 1957) — “Dad, have you ever kissed any other married women besides mom? I guess a guy could accept in a lot of grief doing that, huh? ” —> “He determined could {smiling}.” …. Gape for Phyllis Coates (the first “Lois Lane” on the “Superman” TV series) in this episode. When she plants a kiss on Beaver’s cheek, all heck breaks loose!

6. “Brotherly Treasure” (November 8, 1957)

7. “Water, Anyone? ” (November 15, 1957) — “He’s got a monopoly; he’s practically operating a ‘black water’ market.”

8. “Beaver’s Crush” (November 22, 1957)

9. “The Clubhouse” (November 29, 1957)

10. “Wally’s Girl Pains” (December 6, 1957) — This episode features Penny Jamison’s hysterical roar (double meaning there) after Beaver gives Penny a toad as a gift. Penny’s ear-piercing cries of difficulty send Beaver running for the hills. ~LOL!~

11. “Beaver’s Short Pants” (December 13, 1957) — Aunt Martha’s visit means nothing but misery and suffering for unpleasant Beaver. …. “Theodore — don’t promenade over your milk toast like that; you’ll have curvature of the spine!” :-)

12. “The Perfume Salesmen” (December 27, 1957) — The boys try to peddle 24 bottles of awful-smelling perfume. …. “It kind of smells like an archaic first baseman’s mitt I broken-down to have.”

13. “Voodoo Magic” (January 3, 1958) — A extraordinary episode in the LITB annals. Many hilarious moments, including the following quote by June. …. “George {Haskell}, I fair can’t gain this {about the “voodoo curse” Beaver establish on Eddie}. The Beaver is such a sweet cramped fellow. He likes everybody — even Eddie!”

14. “Part-Time Genius” (January 10, 1958) — “I mediate I’d like to be a garbage collector when I grow up. You don’t have to wash your hands all the time, and nobody cares how you smell!” :-)

15. “Party Invitation” (January 17, 1958) — Beaver is forced to back an “all-girl” party. (God benefit the lad!) :-)

16. “Lumpy Rutherford” (January 24, 1958) — This is the rib-tickling “Barrel Hoops” episode, with Wally & Beaver setting a “trap” for mean ol’ “Lumpy” fair outside his house. But Lumpy’s father falls into the trap instead of “The Lump”. …. June’s excitedly-worried reaction to the boys’ practical joke elicits another classic bit of dialogue from this grand TV series — “Ward, if my babies go to jail, it’s going to be all your fault!!”

17. “The Paper Route” (January 31, 1958)

18. “Child Care” (February 7, 1958) — It’s yet another droll pickle for Wally & The Beav, when the boys are called upon to baby-sit while Ward and June go to a party. The boys have to call the fire department to extract young “Puddin’” from the bathroom she’s managed to lock herself into. …. “I want to view Mary Jane!!”

19. “The Bank Anecdote” (February 14, 1958) — This one’s a loyal heart-tugger, as Wally and Beaver surprise their father with a very special gift.

20. “Lonesome Beaver” (February 28, 1958)

21. “Cleaning Up Beaver” (March 7, 1958)

22. “The Perfect Father” (March 14, 1958) — “Oh, for Pete sake! I unprejudiced place it up {the basketball backboard} for them to fool around with; I didn’t mediate they were going to establish a micrometer on it!” — The early-season shows feature several “Ward tantrums”, with this being one such comic example. Hugh Beaumont, as Ward Cleaver, was “The Perfect Father” choice for this TV series, if ya ask me. :)

23. “Beaver And Poncho” (March 21, 1958) — Another “lump-in-your-throat” type of episode, with Beaver adopting the cutest cramped Chihuahua dog for a few days. …. “Wally says he’s a bald-headed Mexican.”

24. “The Place Vs. Beaver” (March 26, 1958)

25. “The Broken Window” (April 2, 1958)

26. “Snort Meander” (April 9, 1958)

27. “My Brother’s Girl” (April 16, 1958) — “As a woman, I’m very proud of Mary Ellen! Why, if we women waited until you men were suited and ready to decide down and raise families, this whole continent of America would be nothing but buffaloes, jack-rabbits, and grizzly bears!!” — June gets in some proper wisecracks of her absorb upon occasion (as can be seen here) . :-)

28. “Next-Door Indians” (April 23, 1958)

29. “Tenting Tonight” (April 30, 1958) — The boys’ 6-hour-long session at the movie theater sparks some quintessential inflamed “Ward-isms” in this episode. … “You spent over six hours today sitting in that stuffy movie theater!!” —> “Yeah, they determined give ya a lot for your 35 cents, don’t they? ”

30. “Music Lesson” (May 7, 1958)

31. “Current Doctor” (May 14, 1958)

32. “Beaver’s Venerable Friend” (May 21, 1958)

33. “Wally’s Job” (May 28, 1958) — The non-complex stories continue (with more droll results) in this episode about, quite simply, painting the family garbage cans.

34. “Beaver’s Unpleasant Day” (June 4, 1958) — Again, here we have another example of a super-simple premise (Beaver rips his pants; EGADS!), which rises to a very laughable level in the hands of this adept cast. Ward’s exasperated reaction when he thinks Beaver is feeding him a grand sage is a highlight here.

35. “Boarding School” (June 11, 1958)

36. “Beaver And Henry” (June 18, 1958) — “I hardly contemplate that ‘Henry’ is the great name for a rabbit in HER condition.” ;)

37. “Beaver Runs Away” (June 25, 1958) — Another elegant example of a LITB ep. that combines comedy with a healthy dose of sentimentality as well. Beaver drills two holes in the garage wall, which, naturally, displeases Ward quite a bit. Beaver decides to pack up and leave home after a run-in with his dad. The final scene here is quite touching and realistically portrayed.

38. “Beaver’s Guest” (July 2, 1958) — Beaver’s best pal, Larry Mondello, stays overnight at the Cleaver abode. His visit is marred by a fight with Beaver and Larry’s middle-of-the-night stomach ache that keeps the whole house awake half the night. …. “Oh, the plot that boy ate! It was like watching a mongoose! I don’t assume I’ve ever seen anyone eat ketchup on corn before.” :-)

39. “Cat Out Of The Bag” (July 16, 1958) — Season 1 ends with the boys getting into unruffled more hot water when they lose the neighbor’s cat that they’re supposed to be looking after. …. “Gee, dad, you’re always saying I’m stale enough to steal care of ‘The Beaver’. It shouldn’t matter honest because the cat is worth something.” :-)

———————–

Closing Cleaver Comments……..

“Leave It To Beaver” is an American institution. Although extremely simple and unsophisticated in nature, the note never fails to entertain. And the entertainment value of the series’ first season is increased many times over thanks to the high quality of these DVDs.

Gripes against the Lunch-Box packaging notwithstanding, the first season of LITB on DVD is unquestionably a mandatory engage for fans of that TV series. And I deem it’s good to say even that ever-perfect of all moms, June Cleaver, would be more than elated to give this DVD collection her very occupy (and remarkable sought-after) “Cleaver Seal Of Approval”.

I assume possibly the thing I cherish the most about having a “Leave It To Beaver” full-season DVD status like this one available is the “It’s Always Gonna Be There” factor. That is to say — honest radiant that I can revisit Mayfield and the Cleaver gang anytime of the day or night by simply popping in one of these discs is … well … kind of a comforting idea in and of itself.

I, too, rented this spot to prove my kids some apt, shapely, 1950s TV fun.

However, the previews on this DVD are the accurate opposite of the innocent LITB world.

Commercials for Kolchak: The Night Stalker and American Gothic include images of a man wielding an ax, monsters attacking, people burning in fire and the face of a corpse dripping blood from its eyes.

We are then treated to a montage of mostly R rated movies from Focus Features.

My Summer of Appreciate is described as “a sexy novel drama” while bikini clad women (who are apparently lovers) splash each other with water. This is followed by images from The Ice Harvest, The Pianist, The Constant Gardener, Far From Heaven, Eternal Sunshine of the Spotless Mind, Lost in Translation, The Motorcycle Diaries, Traffic, 21 Grams and ends with an ad for Brokeback Mountain.

Why were these previews attach on this state of DVDs?

The LITB episodes are very amusing and highly recommendable; honest construct positive that you bypass the commercials which have no business being there.
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Watch Dragon Ball Z: The History of Trunks Movie Online

April 17th, 2010 by grady4147535
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Movie Title: Dragon Ball Z: The History of Trunks
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Dragon Ball Z: The History of Trunks is available for streaming or downloading.

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This is basically the same thing that is in the steelbook Trunks/Bardock double feature…

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Uncut, Digitally remastered, 16:9 aspect ratio with english or japanese audio…

I never bought the steelbook double features because I like the individual boxes better… so for Funimation to release these is a wish granted for me!
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Stream The Polar Express Online

April 16th, 2010 by grady4147535
Stream The Polar Express Online. Stream The Polar Express Online.

Movie Title: The Polar Express
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The Polar Express is available for streaming or downloading.

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My fiance and I both loved this movie when it was released and we level-headed do. When we heard it was coming out on Blu Ray and on top of that 3-D we were beyond angry. Well that excitment was crushed when we got home, set aside it on and were almost given instant headaches from the veteran school red and blue 3-d glasses and the fact that no matter how hard we tried to ogle it, it objective was nowhere approach 3-d quality. We sat there contemplating whether or not it was fair us or if the 3-d aspect of it sucked that dreadful and we came to the conclusion that it was definately the latter. So after a half hour of trying hard to like it we switched it to 2-d (thank god for blu ray for having that option) and saw how in 1080p it was almost 3-d itself.

Needless to say the very next day I went wait on to the store I purchased it from and changed it for the regular blu ray version (which was $5 cheaper than the 3-d version and totally worth the select, 5 stars for that version.) It was very murky that it did not work out because such an astounding holiday movie with such mountainous animation would be a no brainer to have as 3-d but unfortunately it fair is not worth the headache and strain.

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I went to notice this movie tonight with a mentally handicapped friend - “Michael” — (from a L’Arche home here in Winnipeg, Canada) . We were the first persons in the theatre for the very first evening showing in this city - and we were the last to leave. We thoroughly enjoyed ourselves - enchanted by the movie’s subtleties and happily exhausted by its roller-coaster rides.

Time and again, Michael (who is sensitive, compassionate and with a superior sense of humor) turned to me in the darkness, smiling in appreciation at the genuine same moments I turned to gape his reactions. Each time this happened, it was at a moment in the film when some shrimp detail, perfectly captured through superior ‘cinematography,’ brought moisture to my normally cynical seek, and a warm smile to Michael’s innocent face.

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Some examples: There is a lone, sunless child on this apparent ‘dream train’ to the North Pole - a girl of about ten or eleven years, and like a painting approach to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, shadowy youngster — We witness runt mannerisms of someone comfortable with herself in a plan the other (ten or so) white kids on the snort are not. And the accomplish is profound — the movie audience, including some children of that same age group, went mute at such moments in the film.

My friend Michael - who has a ’savant’ genius for perceiving my emotions, and expressing them for me out loud in public — Michael turned to me with a satisfied smile when the girl on the sigh reaches out to absorb the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) — at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn’t prevent him from saying aloud: “She’s such a sweetheart.” There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.

There is a sublime moment, on the encourage platform of the involving sigh — the Northern Lights glimmering in the distance — when the young girl joins in song with the poorest kid on the assure (a younger boy from a worn home on the “far side of the tracks”) . I admit to being overcome with emotion during this duet (a sparkling, strong melody with poignant lyrics) - and I blurted out loud to Michael, after the first chorus: “What a fantastic song!” The refrain includes the words “When Christmas comes to town.” [It's a song so noble that, with some future 'cover versions' by serious musicians who could do it justice --- this "Christmas Comes to Town" song could, I beget, deservedly join the microscopic list of correct, Christmas 'classics.']

I’d have to agree with anyone who thinks this movie is a tiny short on set. And yet . . . once you’ve suspended disbelief — beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger teach on a small-town Michigan street, directly outside the home of the movie’s central character — once we’ve swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.

Just as big `realistic’ painters, (deem Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever rob, so too this computer-animated marvel takes your breath away through an accumulation of microscopic but acute observations that could never be captured by archaic cinematography. Prime examples from the opening scenes:

A shaft of light illuminates the boy’s bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we part his plan — through the keyhole of his bedroom door - we can study only the backs and the dressing gowns of mother and father, as they say goodnight to the boy’s young sister, after determining the status of her thought in Santa’s existence - a plan no longer shared by the older brother, whose contemplate is at the keyhole.

Later, on the notify, there’s an radiant discontinuance up of the boy’s face, a cramped blemish above the pores on his upper legal cheek; the `camera’ pans in rotation, capturing perfectly, the texture of the boy’s hair, and that of the young sad girl sitting beside him — subtleties of such perfection one wonders if the novel, artistic accomplishment of “Polar Instruct” could ever be surpassed.

The film’s last scene, consists entirely of a close-up notion of a tiny, silver bell (of the type associated with sleigh rides) with its attached ‘ribbon’ of red leather. The small bell helps obtain the final point about `Belief’ — in things unseen, (or forgotten, and thus inaccessible to some adults) . So simple, so considerable, so enlightening an image. My friend Michael turned to me at that moment, with a shapely smile. And we objective shook our heads in fright.

—-

Yes, this movie must have SOME shortcomings - one or two moments that don’t quite work as intended by the creators. But correct now, in the afterglow, I can’t win what they were. The film was unbiased too satisfying an experience!

I’m a 57-year-old grandfather who happens to acquire that “The Polar Vow” is the first, correct Christmas classic in almost 60 years. Not since the unique Kris Kringle “Miracle” movie of 1947, has any film (to my jaded explore) so transcended our secular, commercial views of the Holiday Season, with such uplifting and current reminders of the timeless and suitable spirit of Christmas.

Mark Blackburn

Winnipeg Canada.
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American Movie Streaming

April 15th, 2010 by grady4147535
American Movie Streaming. American Movie Streaming.

Movie Title: American Movie
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American Movie is available for streaming or downloading.

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I have a confession: I rented this on video as soon as it came out attend in 1999 & I hated it. In fact, my friend & I turned it off in the middle of the film. Actually, I’m a tiny embarrassed to admit it, but the genuine reason is b/c we didn’t know we were watching an valid documentary… Looking encourage on it, I feel like one of those expressionless people who went to perceive The Blair Witch project, threw up, & notion it was valid. So I eventually watched this again in one of my film classes. Yes, by then I knew it was sincere, but I had never felt like giving it that 2nd chance.

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Well, upon that second viewing, I fleet came to the realization that this film is wonderful!! I can’t bear how monotonous I was to give up on it before!

As far as documentaries go, American Movie is near-flawless. It’s got humor, sympathy, inspiration, frail guys eating Polish sausage, you name it- it’s there. No really, we laugh at the “characters,” but there’s actually a really engaging & uplifting message to it all. It follows the life of one major film buff from Milwaukee who sets out to fabricate a feature film (Northwestern) but becomes sidetracked with funding problems, so he decides to enact up a short fright film (Coven) to sell for profits. The trials & tribulations of Coven’s production create up American Movie.

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As for the DVD, it’s splendid. There are deleted scenes galore, many of which are Gigantic! And they’re not honest throw-away junk scenes, which is always a plus. There are commentary tracks & trailers, but best of all, the mother of all extras is… COVEN. Yes, the 22-minute short film is included in its entirety. I can die blissful now.

I saw my friend recently & told her that I not only watched American Movie again (which we vowed never to do), but that I loved it! She then told me how she was “forced” to witness it again for one of her film classes & that she loved it too!! So there’s hope for all us imbeciles yet.

Do yourself a stout favor & peek this movie if you haven’t already done so. And if you watched half of it before & hated it, please give it a second try. Once you loved it, approach abet & recall this DVD like me!

As I watched Impress Borchardt stumble through the filming of ‘Coven’, I kept thinking of the Austrian court composer Solieri’s line in Milos Forman’s Amadeus: “All I ever wanted was to stammer to God”, laments Solieri, “He gave me that longing, and then made me peaceful”.

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What do you do with your life when you want to tell, but you are tone deaf? What if you employ far more time dreaming than making your dreams approach good? That is the subject of this surprisingly touching and involving documentary.

Mark Borchardt is not tranquil. His muse has whispered in his ear since he was 12 years stale, telling him to acquire movies. Problems with drinking and a stint in the Army have kept him from his esteem. As the documentary opens, Trace is doing pre-production for a feature-length movie, ‘Northwestern’. As you peer Sign meet with production staff and potential actors, you speedily realize that he is hopelessly over his head. Effect is given to long, rambling monologues, where you feel he is trying to throw a collect of words over his problems.

Eventually Sign sees the handwriting on the wall. He realizes that he cannot begin this movie, and decides instead to complete a short film he started several years earlier, ‘Coven’. (Designate pronounces it KO-ven, rather than KUH-ven) .

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As the documentary progresses, you are brought into the well intentioned but dysfunctional world of Mark’s friends and family. You secure yourself wondering about the line between loyalty and co-dependency. What is the contrast between supporting a dream and enabling a friend to live in a fantasy world? You witness the inhabitants of Mark’s world struggle with these questions. Through it all, Imprint may stumble, but he holds correct to quest of completing Coven.

If Effect is quixotic, then his marvelous friend Mike Shank is definitely his Pancho. Mike has been sober for a couple of years, but you can grunt he was dinged up a bit in the drug wars. He is so totally without guile, and so completely precise to Stamp, as to be utterly disarming.

It is tempting to smirk at these people at the beginning of the film, noteworthy less easy to do so by the kill. Whatever you contemplate of Stamp as a filmmaker, you are moved by his struggle to survey his vision completed.

Chris Smith could have created a patronizing spy at an Auteur with less talent than himself, but he has accomplished noteworthy more than that. This chronicle makes you wonder about the dreams of people who are not illustrious, or glamorous, but mild listen to their muse. The touching conclusion of this movie is that there is right nobility in their quixotic quest.
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