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Master and Commander is not objective for Patrick O’Brian fans. Anyone who enjoys action and drama will luxuriate in this film. It ranges from large battle scenes with the tang of salt spray to human drama. The critical residence involves a cat and mouse game, residence in 1805 during the Napoleonic wars, between Captain Aubrey’s (Russell Crowe’s) ship Surprise and his enemy a French ship Acheron. The Acheron is by far the favorable ship in urge, size, and firepower. Captain Aubrey has orders to engage the Acheron, while the French seem all too aware of his orders. The rush passes around the tip of South America leaving the Atlantic and entering the Pacific Ocean where Acheron will raise money for Emperor Napoleon by raiding English whalers. The sailing is marvelously recreated.
Along for the skedaddle we experience sailing, sea tactics, and life on board a ship of this era. The apprenticeship near to schooling officers during the Napoleonic era placed children on board fighting vessels. We even peer a brief eye of a lesson in navigation Captain Aubrey is giving the young midshipmen. Life in harm’s diagram as the sea becomes a battlefield spares neither young nor passe. The crowding, mature food, and mental toll that are a fact of life on vessels that are at sea for long periods of time are graphically portrayed. The mood is lightened by the exhilaration of the hunt and moments of courage, kindness, and Aubrey’s penchant for poor puns, which fans of O’Brian’s books will gape.
Dr. Stephen Maturin (Paul Bettany), the side kick of this noted duo, provides a counterpoint to Aubrey’s sense of duty. Through him we witness medicine of the period grope its design toward the future. As an amateur naturalist, Dr. Maturin visits the Galapagos Islands noteworthy as Darwin would have during his famed swagger on HMS Beagle 30 years after the 1805 date of the movie. In fact, Dr. Maturin’s desire to visit the Islands becomes a source of conflict between himself and the single minded Aubrey. The resolution to the conflict is a measure of the friendship between Dr. Maturin and “Lucky Jack” Aubrey.
“Master and Commander: The Far Side of the World,” directed by Peter Weir, tells the rousing yarn of HMS Surprise, an English warship sailing around South America during the Napoleonic era. The ship’s captain (played by Russell Crowe) engages in a battle of wits, wills, and firepower with a rival captain during the unsafe sea plod.
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This is a colorful, involving sage of naval warfare, but it’s also a satisfying and provocative portrayal of a original community: the company of a warship. The film is paunchy of stirring action scenes, but it is equally rich in the details of the men’s everyday life: their food, shipboard entertainment, naval tradition, etc. It’s a sweaty, muscular portrait that really puts you in the midst of this enthralling world.
Weir gets top-notch performances from the vast ensemble cast. Crowe won my heart as the captain: he portrays a man who is tough and witty, but also humane and reasonable. Paul Bettany plays the ship’s surgeon, both a genuine friend and verbal sparring partner for the captain; it’s a marvelously realized relationship. The rest of the cast rises to the high sign location by these helpful performers; Max Pirkis in particular shines as a valiant young midshipman.
There are some intense scenes of violence and combat surgery. But this material is not gratuitous, and is handled with care by Weir, who never loses eye of his characters’ humanity. And the film is also about mighty more than war; it’s also about exploring a distant land and seeing wondrous sights. There are nice moments of humor to balance out the film’s serious themes of military discipline, ethics and tactics. Overall, M&C is a rousing adventure narrative, told with heart. As a Navy aged myself, I’d like to thank and commend all enthusiastic with this film.
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