Watch Super Comet Online

February 11th, 2010 by dexter9742351
Watch Super Comet Online. Watch Super Comet Online.

Movie Title: Super Comet
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Super Comet - After the Impact is a Discovery Channel special that basically takes the comet that wiped out the dinosaurs and puts into fresh times. They frail the same type of cometary body assumed to have caused the extinction of the dinosaurs, the same size, same impact station, and utilized all the computer modeling they have done on this past event to try to prove what might happen (and to indicate what they consider happened then) . Not terribly creative and suggests that they really don’t know all the effects of such an impact and are impartial putting things together from what microscopic they have been able to figure out about that one impact, some (or mighty) of which may be honest speculation, though I’m distinct that there is some well-behaved science going on there.

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The cheesiest share of this “docu-drama” was, of course, the depicted foibles of the humans experiencing the event. The display included some cheesy drama, following the struggles of several individuals or groups, before, during, and after the impact, to reveal how people would react to such a global cataclysm. Even though cheesy, maybe those depictions were useful. The one guy who simply couldn’t pick the nature of the event, kept traveling “home” (which happened to be the state of the impact) even when it was positive that there was no home left. His emotions and his ignorance basically drove him to his contain death.

Other people continued to act as if the world was serene the same set and suffered thereby, though they learned to cope. There’s the typical expressionless teenager whose inability to win the nature of what is happening (not to mention that her parents weren’t very forthcoming with information), who goes running off after a dog. Her parents go after her, eventually pick up a car, and then the father and teen rush off and leave the mother sitting in a running car like it was double parked at the bank! Like desperate people weren’t going to lift it immediately with the sleeping mother inside?! Sheesh. Mainly, the characters all acted like they fell out of the tiring, tree and hit every branch on the contrivance down! What was clearly evident was that it was lack of knowledge about such events that was the chief dilemma for all of them.

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There were a number of experts trotted out for the “docu” section of the docu-drama. I reflect I would rather have seen a point to that was unbiased about the science with the experts and special effects than the funny contrivance this thing was attach together.

One entertaining item: at one point, one of the experts made the deliver “WHEN it happens,” as though he - and the rest of them - knew for a fact that this was on the agenda for our approach future. The very fact that so many scientists are working on these problems, including a substantial number of them studying the possible human reactions and behaviors and how to deal with masses of people, should warn us that there IS something they aren’t telling the masses in the headlines of our daily newspapers, though certainly they are “testing” public reactions with shows such as Neat Comet - After the Impact.

If you want to know what is really in the future, read Victor Clube’s The Cosmic Winter and Comet/Asteroid Impacts and Human Society: An Interdisciplinary Come.

I had to beget myself continue watching this one since I wanted to obtain up and leave several times. I kept thinking “I could be reading a sterling book…” But I stuck with it fair to notice if they had anything modern to say. They didn’t. It was passe and unsatisfying… cheese with no bread.

I saw this movie on TV a few months ago. I was glued to the TV as I own this to be the best Comet movie I have ever seen. Let’s not forget Armageddon with Bruce Willis. I was looking for the DVD but they didn’t have it until now. This movie has an inspiring format. You are introduced to a table of scientists who are there to education you as to what will happen when the tidy comet hits.

For some reason our learned scientist are not in harms blueprint. They continue to sit at their table as all of this destruction is going on. Each of these individuals assume turns offering their expertise. This goes aid and forth throughout the whole film. Scientists-Drama, Scientists-Drama. As the comet is on its plot to earth and after it hits, the scientists educate us as to what will happen to the environment and the few humans that survive this event.

At the same time there is a drama going on with people who have survived the desolation. You will recognize the horrifying destruction that the comet has caused on the earth with some vast special effects. This is really quite a fable!

The electromagnet waves will hold out anything with a computer chip in it. So, bye-bye iPods’, automobiles, TV’s, computers, you name it. Dakota

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Stream Alvarez Kelly Online

February 9th, 2010 by dexter9742351
Stream Alvarez Kelly Online. Stream Alvarez Kelly Online.

Movie Title: Alvarez Kelly
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Its silly how (to me) lines from movies sometimes bubble to the surface of consciousness from out of nowhere. I hadn’t concept about “Alvarez Kelly” in years. Recently, in my minds’s contemplate, I recalled the image of an eye-patched Confederate leader named Col.Tom Rossiter,(Richard Widmark) silently and solemnly ask “Did you please her…..Kelly”? That simple line was so fraught with innuendo and suggestion that it always stuck with me. So on a rainy Sunday afternoon, I popped a widescreen version of “Alvarez Kelly” into my DVD and sat aid to review and devour this 1966 Civil War oater (or should I say “beefer”)? It was a decent bolt. Alvarez Kelly (William Holden) enjoys pursuing the finer things in life, his earthly habits subsidized in allotment by trading as a cattle speculator or war profiteer depending upon your point of thought. In this capacity, he has no particular loyalty to the North or the South. However, and as the opening credits point out, all armies in all times require food as well as armaments to prevail. As the Yankees and the Confederates fight for control over Kelly’s 2500 head of cattle, he is unwillingly forced to provide his services to the boys in Gray. This fact in no diagram serves to curb his rather prodigious libido, and he continues the shameless pursuit of any woman who has the slightest physical beauty. Released in the mid-Sixties, Bond mania was in fleshy swing and I would argue that this film was influenced by and shared some clear similarities in attitude and tone with agent 007. Anyway, enter Liz Pickering (Janice Rule), the sparkling but long suffering intended of Rossiter, a physically diminished yet mettlesome and reliable leader of the Southern cause. Liz is instantly drawn to Kelly’s virility and earthly ways and inevitably, favors are shared. Her rather brief on cover appearance only serves to provide a convienient source of personal friction between Rossiter and Kelly. Inevitably though, the war intrudes and a battle for control of the cattle looms. Kelly, awarded with a battlefield commission takes charge of a desperate spot in his believe unusual design. The cinematography of this film is crisp. The strong performances by Holden and Widmark really play off each other well. All in all, this Western is elevated a notch or two above the average because of Edward Dmytryk’s solid direction, an acceptable musical accept although they could have lost the hokey song at the beginning, decent photography, obliging character actors, an spellbinding premise and manages to assure all this in under two hours. Given contemporary standards, I can’t encourage but wonder how Hollywood would handle a randy character like Kelly today.

This is a satisfactory American Civil War adventure film elephantine of bravado and action. William Holden and an one-eyed Richard Widmark turn in credible performances as reluctant partners in a raid for Union cattle. It also features Janice Rule, a foppish Patrick O’Neal and a bawdy Victoria Shaw. There are some marvelous skirmish sequences and a dwelling containing some witty dialogue. Some of the plantation sequence is a microscopic reminiscent of John Ford’s “The Horse Soldiers” also with Holden. It contains an adequate accept serene by Johnny Green of “Raintree County” distinction and comely photography by Joseph MacDonald. The stalwart Edward Dmytryk behind directed it for pure cinematic enjoyment. The DVD widescreen images are as crisp as ever.

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Streaming It’s A Wonderful Life (Two-Disc Collector’s Set) Online

February 9th, 2010 by dexter9742351
Streaming It's A Wonderful Life (Two-Disc Collector's Set) Online. Streaming It’s A Wonderful Life (Two-Disc Collector’s Set) Online.

Movie Title: It’s A Wonderful Life (Two-Disc Collector’s Set)
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It’s A Wonderful Life (Two-Disc Collector’s Set) is available for streaming or downloading.

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Rather than review the drawl of this almost universally beloved film, I’m fair going to comment about the quality of the 2006 60th Anniversary Edition DVD itself. I’ve since written an updated review about a original edition of this title, now available in a “Two-Disc Collector’s Plot.” Please get that review — which was posted on December 13, 2008. (Amazon has posted my 2006 review in both places — even though the “60th Anniversary Edition” DVD is DIFFERENT from the “Two-Disc Collector’s Position”. Read my write-up for the “Two-Disc Collector’s Region” — again, it’s DATED 2008 and too early to putrid among the “most marvelous” reviews — to better resolve which product you recall.)

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I’ve owned nearly every version of this title in almost every format available on home video during the past 25 years. It’s lawful that the Whine of this Viacom/Paramount DVD — including its special features — is identical to the Republic Pictures Home Video release more than 10 years ago.

However, this 60th Anniversary edition is spectacular for several different and extremely indispensable reasons. (I’ll address the criticisms some people have leveled about the sound on this 2006 DVD in a limited bit, so stick with me.)

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You don’t have to be a technical expert to immediately scrutinize the striking improvement of the portray AND sound in this 2006 edition. The print is crystal-clear and in my thought, has more vividness and sharpness than ALL other previous releases of this title on home video.

Proof? I keep my “outmoded” THX-version DVD issued by Republic Pictures / Artisan Home Video (the outmoded DVD gold standard for this title) — into my Sony multi-changer DVD player — and watched and listened to every frame of this film AND its special features. I stopped and started this “older” DVD in several spots — and stopped and started the fresh 2006 Paramount edition repeatedly — so I could compare quality almost “side-by-side.”

Hands down — this 2006 version is improbable. The spots and dirt have been wiped smart, the sharpness and disagreement are arguably better than what film audiences saw 60 years ago. There are no former spots, no jumped frames and no lint, fiber or hair fragments along the edges or jumping across the mask. I acquire the technicians at Paramount (which acquired Republic Pictures Home Video) — digitally cleaned EVERY frame of the last DVD release — so that the film now looks like a million dollars. It’s almost too pristine, if there is such a thing. No jump cuts, no “jump ahead” sound breaks, no fogged-out scenes, nothing faded — with the result being the cleanest and purest version of “It’s A Astounding Life” ever issued in home video history.

It gets better. English subtitles were available on older DVD versions of this title, but the 2006 version has a cleaner typeface, wiping out some of the confusing and unnecessary attributions of “who’s saying what” that were disruptive to some hearing-impaired viewers. In this 2006 version, you’ll secure a mostly straight, line-by-line reading of what’s being said — as it’s being said.

Meanwhile, the DVD’s special features — which include the same pair of documentaries produced in 1990 and 1991 — are identical in that they were shot on video tape hence there isn’t worthy improvement in narrate quality. However, subtitles that WERE NOT available for these special features — are NOW available in this 2006 edition. The only “extra” to the previous “gold standard” that remains unchanged — is the unusual 1946 trailer. Subtitles are not available and it has the same raggedness and dirt commonly seen with vintage trailers stored separately from the films they old to advertise.

I’m highly distinguished of re-issued DVDs that seem nothing more than an excuse to squeeze more dollars out of buyers for the same material with unusual packaging. But this 2006 Paramount DVD version of “It’s A Incredible Life” is the best to date. It is NOT in color. (I beget a colorized version for younger people who can’t stand black-and-white. Despite controversy surrounding colorization, know that the 2007 “Two-Disc Collector’s Position” has the same 2006 60th Anniversary black-and-white edition you glance here — plus a fresh “colorized” version. This version uses the same pristine print — but has the added bonus of boasting the best “color” hues ever seen for this film, using the latest image technology available. Despite my preference for black-and-white, the quality of this unique colorized version is impressive.)

Meanwhile, let’s address the criticisms about the sound on this fresh DVD. Go assist a diminutive bit. Worthy was made when Republic Pictures Home Video got the THX LucasFilm sound system seal of approval for “It’s A Fantastic Life” during the 1990s. But it was collected two-channel mono with negligible equalization of sound effects. In this 2006 DVD, you’ll procure consistent two-channel mono and decent sound equalization to minimize “booming” and over-modulated portions in the film. In the obsolete versions, you had to turn down the volume a notch during the musical portions — and turn it serve up when the dialogue came relieve. It’s a nit-pick, but you really leer the disagreement if you’re crazy enough to do a side-by-side comparison like I did.

As for the digital sound “pops” that perfectionists preserve bringing up — they’re just. They’re even in the spots famous by another resplendent reviewer who listed time codes where you can salvage them. But in my conception, unless you brace yourselves for them to advance like a booming narrate — unless you purposely crank up your speakers to carry sound throughout your house — yeah, you “might” be annoyed if you quiz the same perfection for a film made in 1946 as you would for a film made in 2006. Honestly, the disproportionate attention given to these digital “pops” is, in my notion, giving fence-sitters the impression that they’re supersonic cracks of lightning that will create people jump out of their seats. I didn’t twitch at all. They almost “blended” into the 60-year-old soundtrack. Yes, I know they’re digital defects, but do you remember the zillion “pops” scattered throughout dirty prints of “It’s A Fantastic Life” with filthy optical soundtracks? The audio on this 2006 DVD collected wins. You have EVERY Fair to put a question to perfection for your dollars. But as a person who’s more fastidious than average — I don’t enjoy most buyers will care about a few “pops” in a film that’s this aged. Combine the overall improvements with the relatively gross cost of this DVD — and I peaceful say this is the BEST experience of “It’s A Astounding Life” I’ve ever SEEN and HEARD on home video.

Finally, another reason to take this DVD. It’s extinct news to some, but it’s not widely known that this version of “It’s A Unbelievable Life” can only be broadcast by NBC. It faded to air a zillion times during the holidays on every TV position on earth. It was a quickly map to fetch tired of even a desirable film you consider you know by heart. But Viacom/Paramount now owns this version of “It’s A Amazing Life” outright and NBC has peculiar licensing rights to air it impartial once or twice after Thanksgiving. This is a well-behaved thing for future generations to bask in.

So junk the old-fashioned, pick this version and be contented. It may feel painful, but it’s worth it. And no, I DON’T work for Amazon OR for Paramount Home Video.

A beautifully crafted film that proved to be the apex of triple Oscar-winner (1934, 1936, 1938) Frank Capra’s noted career, and the epitome of his cycle of works celebrating the “accepted man”. Mr. Deeds found himself suddenly wealthy, Mr. Smith went to Washington as a Senator, and John Doe became the focus of a socio-political movement; but “Life”’s George Bailey never distinguishes himself outside of his microscopic hometown of Bedford Falls — his brother Harry is the one who becomes a war hero, and his friend Sam Wainwright is the one who achieves financial success. George’s triumph is simply his personal integrity, his code of ethics, and his strength of character — his goodness, if you will — during the unexciting course of his ordinary, mundane existence. In this respect, George is more an Everyman than any other Capra protagonist, bewitching strong audience identification and response.

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In one of the most heavenly performances ever given in an American film, James Stewart is qualified as George. It’s not an easy role to play because so grand hide time is spent focusing on George’s subtle reactions to the world around him. One fabulous moment comes at the roar dwelling when George slowly begins to acquire the news of his brother’s unusual marriage and recent career opportunity, and how his brother’s fortune will kill his occupy hopes of leaving Bedford Falls and the family business. Stewart’s face is wonderful in this scene, as surprised realization fades into composed disappointment and finally, gentle graciousness and acceptance. Stewart’s tour de force is given strong aid by a favorable cast of Capra stalwarts, including Lionel Barrymore, Thomas Mitchell, H. B. Warner, and the phenomenal Beulah Bondi (as George’s mother) . And Donna Reed, in one of her first romantic leading roles after a number of years playing supporting ingenues and bits, is trustworthy in the warm but unglamorous role of George’s loving wife, Mary.

The Republic Home Video DVD is definitely the edition of this classic to hold. Like the LaserDisc before it, the DVD offers a crystal certain, beautifully restored film-to-video transfer which will amaze and delight anyone who is familiar only with the injurious multi-generational VHS cassettes, or the dreadful colorized version, that were commonly screened abet in the slack 1970’s and 1980’s. There are some nice bonus features on the DVD, including a “making of” documentary and the theatrical trailer. This is one DVD that you’ll never regret adding to your home theatre collection!

Trivia note: If you’re a fan of this movie, try finding a copy of film historian David Thomson’s 1985 new “Suspects” which continues George’s fable and relates the characters from this movie to many others (did you know that Donna Reed’s “Mary Bailey” is actually the sister of Gene Tierney’s “Laura”?!, etc.) … mammoth fun!

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Samurai X - Complete Streaming

February 9th, 2010 by dexter9742351
Samurai X - Complete Streaming. Samurai X - Complete Streaming.

Movie Title: Samurai X - Complete
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Samurai X - Complete is available for streaming or downloading.

Click Here to Stream or Download Samurai X - Complete

I was first introduced to this film by my friend seven years ago, and I have ever since fallen in cherish with Japanese anime. Seven years later, having enjoyed such friendly films as Grave of Fireflies, Tantalizing Away, Akira and Macross Plus etc., this film, Rurouni Kenshin Tsuiokuhen(as it is known in Japanese), aloof holds a special status in my heart and will never be replaced by anything.

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What makes this film a classic is the degree of perfection the makers were aiming at from every angle. Demand it from a superficial perspective, the drawing for instance, is lush, sensual and very realistic. When falling leaves fall in water you can survey the ripples; when blood drops on snow it really sinks into it. Everything is shaped and executed with utmost poetry and beauty, and this is right even for the bloody scenes in the movie. In a fighting scene in which Kenshin kills the girl’s fiance, the camerawork strikes me as breathtaking and highly effective, it really gives the action accelerate and momentum and makes it sparkle with fire.

More importantly, the epic and characters are what effect this film memorable. I have to congratulate the makers of this film because they had an obliging script to originate with, into which they weaved elements of tragedy and oriental fatalism, making it into an myth and legendary narrative of cherish and sacrifice. First off, the chronicle starts with a gory scene of massacre, the sky has a color of blood, and the music is unlit and spine-tingling, setting up a tragic tone for the entire film. In this setting we meet the petite boy Shinta(later to become Kenshin) for the first time, he is the only presence in that scene that resembles innocence in this world, but soon later his innocence will be forever lost as he witnesses the killing of the three sisters.(This scene is carried out with ruthless realism and precision, for some people it can be unbearable.) Kenshin’s life is tragic and ill-fated true from the beginning. As we withhold on watching, we grow attached to the characters, we feel for them, for their sacrifice and suffering, and the rare moments of joy and peace they have.

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The contradiction in Kenshin’s life is that, he believes that through killing he can aid bring a unusual world to the people, but each time he kills he feels big guilt and unrest. To gain solace and interpret for his actions, he keeps reminding himself that he is serving for a cause that will eventually bring salvation to the people from war, famine, and contaminated government. But slowly he begins to realize the fact that the people he’s trying to eliminate are unbiased oridinary human beings; by killing them he is actually destroying families and making others suffer, and that in turn makes himself suffer in guilt. All this makes him nothing more than a killing machine, a tool! The more deeply he realizes about this truth, the more tormented he feels inside his heart. So at this point, a unique character is introduced, the girl named Tomoe who is a resplendent figure shrouded by an aura of mystery and feminine beauty, a person who is mosey to change Kenshin’s life forever….

I loved the device history and fiction are intertweaved in this film to acquire a epic that is simultaneously legendary and credible. It has been remarked that the character of Kenshin is loosely based on a precise person, and the political figures featured in the anime have all existed in history. After thoroughly enjoying this film, I actually employ some time looking into the history of 19th century Japan, specially on circumstances surrounding the Meiji Restoration and various key figures in that revolution. And this research has led me to greater appreciation of the film. More often than not, you don’t accept such succesful combinations of history and fiction in films alot; another profitable example that immediately comes to mind is the award-winning film of 1984, Amadeus, which retells the life of Mozart in a silly and sensational draw.

Finally, I’d also like to comment on the music in this film. The music is incredible from beginning to raze! Not only in the sense that it effectively supports and amplifies the drama, but the music alone forms an emotional go. It is soulful and introspective, at times gloomy but weepingly resplendent. If you listen to the soundtracks in tubby cycle, scenes in the film approach befriend to your mind in knowing details. I remember when I watched this film for the first time, I was left spellbound and speechless as the ending theme sounds its first notes. In the extinguish the music takes you all the scheme support to where the anecdote started, at which point you hear itsy-bitsy Shinta talking to his master, and you are overwhelmed by a flood of emotions as this plain but hauntingly blooming record is brought to conclusion in a cyclic make.

In my view everything about this film is masterful and recommendable. This is a very serious work of art that has raised the artistic quality of anime films in general to an admirable degree. Heart-felt gratitude to all enthusiastic in the making of this film!

All fans of “Rurouni Kenshin/Samurai X” will surely like this complete box OVA/OAV plot. It is very suspenseful and holds your attention till the ending of this tragic-yet-happy narrative.

When buying this box plot, you are getting your money’s worth. Usually, this box plot runs anywhere from 90-100 USD in some stores, but on Amazon, it practically cuts it in half.

This product does not appear to be a bootleg and is very good on the subtitles.

There is also another OVA/OAV box state that has a dark box and is a minute more expensive. Personally, I favor this one. In the other box station, you do not gather the following:

Reflection: Director’s Cut

Trust & Betrayal: Director’s Cut

(Rurouni Kenshin/Samurai X) The Motion Picture*

Reflection

Trust & Betrayal

*The Motion Describe is sometimes listed as Japanese only when searching for the “Language” on some sites, such as this, but with this DVD box status, it DOES approach in English and also in Japanese, with English subtitles.

(All DVDs = English/Japanese with English subtitles)

That is what you score in this box position, besides the astonishing box art and the blooming DVD veil art.

[Risk]

The risk of purchasing this box location, or any box situation for that matter, is hurt to the box itself, not necessarily the DVDs, but hey, sometimes it happens.

Note: On the side of the box, you may behold a runt logo that says: Rurouni Kenshin or Samurai X. They are both the same.

Little kids should not be watching this. The suggested rating in my eyes would be at least an audience that is conventional enough to handle the dialog and the limited suggestive themes that are featured. Roughly: 16+

Also: The title is a petite misleading, considering it only says ‘Samurai X - Complete’, but this is NOT the Anime, it is the OVA/OAV collection.

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Gonzo: The Life and Work of Dr. Hunter S. Thompson Streaming

February 9th, 2010 by dexter9742351
Gonzo: The Life and Work of Dr. Hunter S. Thompson Streaming. Gonzo: The Life and Work of Dr. Hunter S. Thompson Streaming.

Movie Title: Gonzo: The Life and Work of Dr. Hunter S. Thompson
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Gonzo: The Life and Work of Dr. Hunter S. Thompson is available for streaming or downloading.

Click Here to Stream or Download Gonzo: The Life and Work of Dr. Hunter S. Thompson

On February 20, 2005, the destroy of an era was blown out not with a recount but with a bang. Dr. Hunter S. Thompson chose that day to destroy his have life by committing suicide with one of the many guns he owned. It was a loss for a generation that grew up reading him in Rolling Stone Magazine, a loss for fans and a loss for journalism.

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While two films (WHERE THE BUFFALO Wander and Terror AND LOATHING IN LAS VEGAS) were made about his life, it is only now that Hunter reaches the cloak in his gain words, in his maintain actions via the newly released documentary GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON. And what a treat it is to study and hear him lisp for himself.

The film looks aid at the entire life of this maverick that changed the face of journalism by making it not fair about looking at issues from the outside in, but from the inside out. Gonzo journalism often placed the writer into the scene of what was being written about since that writer was actually there. Gonzo journalists write as participants as opposed to voyeurs. And Hunter was a sure participant.

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The film begins with his youth covering the usual biopic necessities of what possibly made him determine the direction he did. But it moves forward to his youth when he chose to be a writer and pursue that dream. Not only did he pursue it, he got fervent in it.

The first demolish Hunter found was when he commingled with the motorcycle gang the Hells Angels to score out impartial what they were all about. The pieces he build together on the gang were wrapped up into a book titled HELLS ANGELS that was considered the quintessential source of information on gangs. A falling out with the gang led to Hunter’s sharp on to another topic.

Those topics were wide in range but always confronted with the brutal honesty as seen through the eyes of Thompson. Be it the Democratic convention in Chicago where the peace and treasure generation was beaten down by those in power or the ample American dream demolished in his eyes as the city of Las Vegas, Hunter took typewriter ink to paper and using wit and a skewered sense of words defined the world for his generation.

Hunter’s involvement in politics is shown ranging from his acquire hurry as sheriff of Aspen to his following the campaign stagger in 1972 elections. Having been alive to look the destroy of an era with the assassinations of both Martin Luther King and Bobby Kennedy, Hunter found hope in the create of George McGovern. But that was never to be.

But all things change. And this is where the truly black allotment of the fable of Hunter S. Thompson slopes downward. The involvement with drugs and alcohol combined with the glory brought on by celebrity set took its toll on Thompson. No longer able to blend in without being recognized his ability to camouflage a tale changed as did his life.

The movie is an examination of a writer whose works are unexcited read today. The director uses interviews with people who knew Hunter intimately like his wives, son and business partner to those who got to know him while he covered their stories. Sonny Barger of the Hells Angels, Ralph Steadman, George McGovern, Jimmy Carter, Pat Buchanan, Jann Wenner of Rolling Stone and more all accept hide time discussing this improbable author. Each has their believe personal vision of who Hunter was and how he affected them.

What we are left with is the chronicle of a man who wanted to change the world only to have the world change him. In some ways for the better, but not always. The words of Thompson describing flying bats and lizard people during hallucinogenic experiences were perhaps nowhere advance as gruesome as the true life demons he confronted as his life changed. Perhaps it was one of those demons that urged him on to commit the final deed of his life.

What one walks away with after watching this film is perhaps a petite more concept of the man. Perhaps you spin away with an interest in finding those items that he wrote. But more than anything you slip away with a feeling of loss at never having appreciated him to his corpulent extent while he was here with us. A dynamite film that informs, entertains and shines a light on a accurate talent.

“Gonzo: The Life and Work of Dr. Hunter S. Thompson” is an overview of the life and passions of Hunter S. Thompson, inventor of “gonzo” journalism and iconic hero of liberalism -at least for those liberals who didn’t mind all the guns. Through interviews with an impressive variety of Thompson’s friends and associates, narration by Johnny Depp, and archival footage of Thompson himself, director Alex Gibney takes us through Thompson’s life, concentrating on his career and image. The tale starts in earnest in 1965, when Thompson was “imbedded” with the Hell’s Angels for over a year, his first utilize in participatory journalism and the subject of his first book, “Hell’s Angels: The Uncommon and Awful Saga of the Outlaw Motorcycle Gangs” (1966) .

That’s followed by Thompson’s experience of the 1968 Democratic Convention, his screech for Sheriff of Aspen on a pro-marijuana platform in 1970, the sage unhurried “Fright and Loathing in Las Vegas”, and his work for “Rolling Stone” magazine, including his coverage of the McGovern-Nixon presidential campaign, which became “Terror and Loathing on the Campaign Roam `72″, and finally his suicide in 2005. The film doesn’t attempt to be a comprehensive biography. Thompson’s years in the Air Force are not even mentioned, for example. I was pleasantly surprised by the array of people who consented to be interviewed: his first wife Sondi Wright (Sandy Thompson at the time), Tom Wolfe, aged President Jimmy Carter, George McGovern and Pat Buchanan, “Rolling Stone” co-founder Jan Wenner, Jimmy Buffett, Thompson’s frequent collaborator the artist Ralph Steadman, among others.

Alex Gibney is broken-down in his come to his unconventional subject. He doesn’t criticize Thompson as worthy as he might or glorify him as great as fans sometimes do. This attempt at objectivity makes “Gonzo” a excellent introduction to Hunter S. Thompson but also a bit bland. Ralph Steadman’s art work is dilapidated liberally throughout the film, which is tremendous. And there is some attempt to squawk Thompson’s eventual frustration with the public persona that he had fostered. Though “Gonzo” isn’t a fawning perceive at the man, it is a fond peruse. Thompson’s rejection of the sham of objectivity in journalism may be admirable, he was a man who liked to inspect other people’s ethics great more than his beget. “Gonzo” leaves the audience to contrivance its occupy conclusions about things like that. At times I wished that it were more incisive, but there is a lot of arresting material here.

The DVD (Magnolia 2008) : Bonus features include 5 deleted scenes, 19 extended interviews, a gallery of 75 drawings by Ralph Steadman, 8 Photo Galleries, including stale photos, pages from Thompson’s notebooks, and other memorabilia, a list of 18 of Hunter’s Guns, a tribute performance of “Wayward and Weary” by Tift Merritt (4 min), 2 audio excerpts from “The Gonzo Tapes” of Thompson and Oscar Acosta in Las Vegas 1971, and a feature commentary by director Alex Gibney. Gibney takes us through the when, where, and what we discover in the film, providing some additional plan of the footage, and he offers comments on Thompson. Subtitles are available for the film in Spanish.

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Watch Battle Royale: Director’s Cut Online

February 8th, 2010 by dexter9742351
Watch Battle Royale: Director's Cut Online. Watch Battle Royale: Director’s Cut Online.

Movie Title: Battle Royale: Director’s Cut
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Battle Royale: Director’s Cut is available for streaming or downloading.

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I have to admit that this movie moved me on many levels. After getting over the initial shock of what is, for very expedient reason, considered to be not objective a violent film but also a very disturbing one in terms of subject - this movie I am convinced is destined to become a cult classic. As mentioned previously, Battle Royale is an unforgiving movie but like all broad films there are pockets of resistance and liberation. This exceedingly disturbing and deeply saddening film about watching young kids killing each other out of a primal need to survive should disturb anyone with a shred of humanity left in them. What should be famed is that in this case of art imitating life it opens up a portal of consideration of how people may react in this type of location and the inherent complexity contained therein.

No matter what critics say about its violence Battle Royale is really a legend about character. Based on the original by Takami Koshun, Battle Royale is lively on many. One method to glance the movie is in terms of a not so distant future Japan (which is this case can stand in as a metaphor to other countries) where the government’s trepidation about rampant juvenile delinquency and the a lost generation’s blatant disregard for order and the rule of law has caused it scrutinize more immediate and less creative ways to deal with the plight, the solution: the systematic annihilation of teenagers. In this case, selected groups of high school kids are deceived and carted of to an undisclosed site, given weapons and supplies and a mission - to end each other. In an orgy of blood and gore the last person standing is allowed to go home. This, at least for me, brings up two very difficult questions: Is it a yarn about extermination or discipline? If it is, what possible attend can be derived from this?

Returning snappily to the relate of “character,” it is sharp to recognize how director Kinji Fukasaku and writer Kenta Fukasuka bring Takami Koshun’s fresh to the camouflage. It is also though-provoking to stare how director Fukasaku controls a herd of cats in a powerhouse cast of 40+ characters that includes Beat Takeshi’s rendition of Kitano as well as the portrayal of Shuya (Tatsuya Fujiwara), Noriko (Aki Maeda), Shougo (Taro Yamamoto), Kazou (Masanobu Ando), Mitsuko (Kou Shibasaki) and Takako (by Extinguish Bill’s Chiaki Kuriyama) . I was intrigued to seeing how some of the characters reacted to stressful situations that in some places (unless you notice the film at least twice) are lost around the films central motif of coarse ruthlessness and violence.

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Needless to say that despite the films depraved cinematography and primitivistic tendencies - it being residence in a tropical island and all - not to mention the almost mandatory erotic undertones, it is more than anything, a movie about a society on the verge of imploding. It is eminent that Fukasaku’s motivations for making the movie transcend politics and society. Dilemma: if your survival rested on you killing your best friends, would you do it? This is the circumstance in Battle Royale and it is a very titillating one. This brutal premise and what happens next is inevitably - a very cruel film. Fukasaku rendition has a Lord of the Fliesesque quality about it. I cannot stress how colossal a movie this is though. Overall, this is one of the most notion provoking, disturbing, and much films released. I was not surprised that this film has not been released in the US but honest like the saga of “RINGU” - my guess is that inevitably this film will be hijacked as well - it is the Hollywood diagram.

Another “layer” to be uncovered from this blood-soaked saga is how Fukasaku calls to expect a Japanese society whose rage over youth delinquency (as mentioned previously) and has gone so far to imagine a `final solution.’ If it was Fukasaku’s intent, it got me thinking that if such a solution were attach in spot the results would be a fight to the death will be a traumatized, inflamed and extremely mentally agile mind would be released help on society - making the plight doubly worse - as if the society is cultivating violence. In Battle Royale Fukasaku is plan provoking again in that he allows for pockets of resistance and moments of female empowerment. The sub-plot of hacking in to the system and destroying the whole game and the scenes with Mitsuko (Kou Shibasaki) although not unusual add a particular liberating quality to the film. However there tranquil is lingering the disturbing theme of Battle Royale, dealing as it does with the corollary of a system of violence transferred from generation to generation thus perpetuating a cycle of violence. In the waste, the hub of the Battle Royale films is that violence without doubt impacts children. Is this what we want as a future for them? A wild, sexy, and belief provoking film that begs to be watched more than one time to be fully appreciated.

Miguel Llora

Very obedient movie. I strongly reccomend this movie to anyone who enjoys odd movies, because you’ve never ever seen a movie like this.

Buy,Download, Or Stream Battle Royale: Director’s Cut! Click Here

Buy,Download, Or Stream Battle Royale: Director’s Cut! Click Here

It’s the future… Kids have stopped going to class, and are becoming pests. So the government has started a original program called the “BATTLE ROYALE SURVIVAL PROJECT.” What happens is that one class of 9th graders a year is chosen by unbiased lottery to go onto a deserted island. The kids then accept ‘voted off’ the island. And by ‘voted off’ I mean they raze each other. Each kid gets a bag, inside is food, water, a procedure, and a random weapon. With this weapon, they are ordered to slay each other until one remains.

This movie has everything. Violence, region, character development (somewhat — enough to satasfy me), and an astonishing epic. It’ll preserve you on the raze of your seat, or couch, or whatever.

Oh, and if you go out and witness the fresh Tarantino movie, Raze BILL, the actress that plays Liu’s bodyguard is one of the kids from Battle Royale.

Buy this movie. I can’t stress it enough.

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How Jesus Became a Christ: The Hidden Years. Vol. 2 of Deep Deceptions by Miceal Ledwith featured in What The BLEEP Do We Know!? Movie Streaming

February 8th, 2010 by dexter9742351
How Jesus Became a Christ: The Hidden Years. Vol. 2 of Deep Deceptions by Miceal Ledwith featured in What The BLEEP Do We Know!? Movie Streaming. How Jesus Became a Christ: The Hidden Years. Vol. 2 of Deep Deceptions by Miceal Ledwith featured in What The BLEEP Do We Know!? Movie Streaming.

Movie Title: How Jesus Became a Christ: The Hidden Years. Vol. 2 of Deep Deceptions by Miceal Ledwith featured in What The BLEEP Do We Know!?
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How Jesus Became a Christ: The Hidden Years. Vol. 2 of Deep Deceptions by Miceal Ledwith featured in What The BLEEP Do We Know!? is available for streaming or downloading.

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A very revealing myth about someone who for the past 2 thousand years have become such an icon and yet how petite if any thing we know of him.

Was this DVD made as a high school project? Because it certainly does not reach across as professionally made. Whilst some of what Dr. Ledwith had to say was of interest, it took well over an hour of the first DVD to actually report - very briefly - what Jesus actually did when he was in India, and this is supposed to be earth shaking? I’m sorry but to me it was mostly repeating worn, previously stated and published material that anyone with any interest in the subject can earn. And the DVD is so poorly assign together, very long periods of talking, interspered with the unique characterize that is not always entirely relevant and the music! Don’t ruin your money buying this, do some research yourself and choose some books instead.

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Stream The World’s Fastest Indian Online

February 8th, 2010 by dexter9742351
Stream The World's Fastest Indian Online. Stream The World’s Fastest Indian Online.

Movie Title: The World’s Fastest Indian
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The World’s Fastest Indian is available for streaming or downloading.

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Never, that’s what Burt Munro has to say to us.Wow! This is a stout flick and Anthony Hopkins is at his subtle best!Scheme more than 5 stars.The synopsis:Burt Munro, a Kiwi from far south Novel Zealand has been building and rebuilding his motorcycle for the last 40 years, dreaming of the day when he and the bike can go to Bonneville Salt Flats,USA and examine what they can really do. When Burt’s heart goes dreadful on him, his dreaming is threatened to advance to an extinguish. Burt is not ready to end dreaming. He decides to mortgage his house and bring his dream to life. He and the motorcycle head for American and the Bonneville Salt Flats,Utah to participate in ‘Speed Week’. When they land in in the US the fun begins. His sail from Long Beach to Utah brings him through a sinister fragment of American ‘characters’. Each recognizes in Burt, that burning desire to carry out a dream and each helps him in the diagram that they can to invent that dream happen. There are so many comical and fair moments but one that advance to mind is when Burt meets Tina, the transvestite motel clerk…that whole interaction is so dazzling. Or when Burt finally stands on Bonneville Salt Flats, by himself thinking of all the greatness that has transpired here and now he, Burt Munro, can at last test himself on this ’sacred ground’. Man! it brings shivers to glance Anthony Hopkins do that moment.While the film is about motorcycles and speedily cars, it is not a movie about motorheads. It is a yarn we can all fetch something out of- even your Grandma will worship it. Don’t maintain back-go glimpse it now. A Cultural Sidebar:I happen to have been in Modern Zealand when this film started it’s world release in it’s home country..Oct. 2005. The Kiwis, normally a reserved and sober lot, were crazy on this movie. For a week that is all the entertainment news there was, demolish to demolish on both islands. Munro’s actually Indian Scout motorcycle made the rounds of movie houses, sort of a hero’s artifact for theater goers inspection. In general, the Kiwis felt that Hopkins and Donaldson had really nailed the Kiwi national ‘character’, straight talking but not offensive, a master of ‘#8 wire’ ingenuity, reserved but definite. All this allowed Munro to beget his bike to it’s peak,accumulate it to America, and rise above the better financed competition. Hopkins was given accolades for nailing a South Island,Current Zealand accent.People that had known Munro claimed Hopkins had portrayed Munro as they knew him. As an American I like they method Donaldson portrayed Americans.I found the movie to be a classic American dream anecdote. Go watch the movie, you won’t be sorry.

Burt Munro was a man who had many loves: women, urge, things mechanical, tinkering, life itself and perhaps most passionately and enduringly his old-fashioned Indian motorcycle. This film lovingly chronicles Burt’s pursuit of the seemingly impossible dream inspired by his Indian, and the wonderful quest which took him from the village of Invercargill, Unique Zealand to the Bonneville Salt Flats of Utah.

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Director Donaldson tells Burt’s feel apt fable in a straightforward and unemotional manner, with many of the scenes being filmed on station in Invercargill and at Bonneville. Anthony Hopkins is so perfectly cast that he seems to become Burt. His interviews while promoting the film made it sure how remarkable he enjoyed the role and respected Burt’s achievements; the Kiwis who knew Burt were very contented with his faithful portrayal in his film. The supporting cast also does an qualified job, although in all probability the only other individuals recognizable to most moviegoers will be Diane Ladd as Ada and Bruce Greenwood as Jerry, who helps Burt overcome the resistance he encounters when he arrives at Bonneville with a vehicle which breaks all the safety rules. In addition, deserving special mention in a brief appearance as Tina is Chris Williams.

The director very intelligently decided to provide several funny moments and a lot of casual humor to sustain the approximately two hour long movie racy at a reasonable mosey. The natural tension inherent in several obstacles Burt had to overcome (e.g. his lack of financial resources, the aforementioned mentioned problems before being allowed to run his vehicle, a heart condition which landed him in the hospital) are wisely handled in a summary way; after all, everyone in the audience already knows the reason why the film was made is because despite his exiguous resources and working entirely on his gain Burt was successful in converting his motorcycle which was originally not built to exceed 54 MPH into THE WORLD’S FASTEST INDIAN.

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My five star rating for this film is not based on the fact that I believe it is a grand movie; in fact, it left several unanswered questions to which I hope that further research will provide some answers. And I certainly wish it had managed to incorporate more of the wonderfully scenic Current Zealand countryside where Burt lived. Rather, my rating is based on the sharp manner in which this film tells Burt’s tale; he captivated me objective as he eventually managed to captivate almost everyone with whom he came in contact, even those individuals who didn’t allotment his understanding in himself or perhaps considered him a dinky crazy. In summary, I highly recommend this fable of perseverance and achievement for everyone willing to expend a few hours with Burt as he pursues his dream to its satisfying and highly emotional conclusion. (The director’s genius was in recognizing that the record itself would provoke most moviegoers into cheering wildly or crying tears of joy with Burt before his time in Bonneville is finished, no cinematic tricks or artificial area devices were indispensable.) It is truly terror engaging to realize that many of the records which Burt region smooth survive today, and thus his machine is not only mild THE WORLD’S FASTEST INDIAN but remains unbeaten by all engines in its category.

Tucker Andersen

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Shin Chan: Season One, Part Two Movie Streaming

February 8th, 2010 by dexter9742351
Shin Chan: Season One, Part Two Movie Streaming. Shin Chan: Season One, Part Two Movie Streaming.

Movie Title: Shin Chan: Season One, Part Two
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Shin Chan: Season One, Part Two is available for streaming or downloading.

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Shinchan is freaking hilarious! It’s like the South Park of Japan. I absolutely esteem this reveal! I hold the first DVD collection also and I intend to regain everything they release. I laugh so hard I bawl. Five stars!! XD

I’ll admit it, at first look I view this note looked shapely plain. After watching a few episodes I came to realize that this demonstrate is probably one of the funniest shows on television. Some people may say that the New prove was funnier, but I appreciate how FUNimation made this indicate relevant to American culture. I laughed so hard during some episodes that it distress. Well worth watching and definitely well worth buying.

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Streaming Walt Disney Treasures: Zorro - The Complete First Season Online

February 7th, 2010 by dexter9742351
Streaming Walt Disney Treasures: Zorro - The Complete First Season Online. Streaming Walt Disney Treasures: Zorro - The Complete First Season Online.

Movie Title: Walt Disney Treasures: Zorro - The Complete First Season
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Walt Disney Treasures: Zorro - The Complete First Season is available for streaming or downloading.

Click Here to Stream or Download Walt Disney Treasures: Zorro - The Complete First Season

Zorro, a half-hour Walt Disney Productions TV series based on the illustrious Zorro character, premiered October 10, 1957 on ABC. The final network broadcast was June 2, 1959. Seventy-eight episodes were produced, and 4 hour-long specials were aired on the Walt Disney anthology series between October 30, 1960 and April 2, 1961. Don Diego de la Vega (portrayed by Guy Williams) is depicted as a archaic University student, newly recalled by his father from Spain to his home outside El Pueblo de Nuestra Señora Reina de los Ángeles sobre El Rio Porciuncula (later shortened as Los Angeles) . Impartial before reaching California, Diego learns of the tyranny of Captain Monastario, and realizes that his father, Don Alejandro, summoned him to encourage fight this injustice. Although he won medals for his fencing serve in Spain, Diego decides that his best course of action is to cover his ability with a sword, and to affect the demeanor of a milquetoast colorful rather than a decisive man of action. His alter ego, Zorro, operates primarily at night, taking the shriek action that Diego cannot. This deception does not always sit well with Diego, especially as it affects his relationship with his disappointed father. In reality, Diego relies heavily on his wits, both with and without the screen on. Later in the series, Diego emerges as a respected figure in his believe accurate, a clever thinker and exact friend who objective happens to be hopeless at swordplay. The character’s name in Johnston McCulley’s writing and previous adaptations was Diego Vega; the Disney version expands the name to Diego de la Vega, an innovation retained in some subsequent versions of the myth. Diego’s singing screech is supplied by Bill Lee of the Mellomen. For most of its brief race, Zorro’s episodes were allotment of continuing epic arcs, each about thirteen episodes long. The first of these chronicles the arrival of Zorro / Diego and his battle of wits with the greedy and cruel local Commandante, Captain Monastario. After Monastario’s final defeat, in the second storyline, Zorro must order and counter the machinations of the infamous Magistrado Galindo, who is portion of a station to rule California. The third legend arc concerns the leader of that conspiracy, the sad figure of the Eagle, revealed as vain and frightened José Sebastian Varga. Season one concludes with Varga’s death.

Season two opens with Diego in Monterey, the colonial capital, where privately composed money to bring a supply ship to California is consistently diverted to a gang of bandits. Diego stays to investigate, both as himself and as Zorro, and becomes eager in Ana Maria Verdugo, the daughter of the man organizing the pains. Once Zorro defeats the thieves, he enters into a rivalry with his mature friend Ricardo del Amo, a practical joker who is also fervent in Ana Maria. Ana Maria in turn is in fancy with Zorro. While in Monterey, Zorro and Sergeant Garcia also score eager in a declare between the peons and a repressive Lieutenant Governor. Diego is on the verge of giving up his hide to marry Ana Maria, but Don Alejandro talks him out of it. Zorro (and Diego) says goodbye to Ana Maria and returns to Los Angeles, where he gets enthusiastic in a series of shorter adventures. In one three episode fable arc, guest starring Annette Funicello, Zorro must solve the mystery of Anita Campillo’s father, a man who does not seem to exist. Other storylines slack in the series involve Diego’s ne’er-do-well uncle (Cesar Romero), a position against the governor of California, an encounter with an American “mountain man” (Jeff York, reprising a role from The Saga of Andy Burnett), and outwitting a greedy emissary from Spain.

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Buy,Download, Or Stream Walt Disney Treasures: Zorro - The Complete First Season! Click Here

The Complete First Season is the definitive version that Disney Zorro fans have waited years for. Covering all 39 episodes that comprise season #1 (1957-1958), this tiny edition (and numbered) 6-disc spot of 30,000 includes a Certificate of Authenticity, a collectible pin (showing two crossed silver swords with Zorro’s screen superimposed on top), as well as a black-and-white photo postcard showing Guy Williams in character as Don Diego. A booklet outlining the contents of the place can also be found here. The residence comes handsomely encased in a murky metal tin, fitting of this B&W series where the hero wears an all-black costume.

A 5:21 intro by Leonard Maltin introduces the episodes and gives a brief history of Zorro and these particular episodes along with the extras on these discs. The remastering is evident on these episodes. The represent is determined and so is the sound; naturally, with the plan it was originally recording, a digital surround experience is not possible, but the Dolby Digital recording is crisp, distinct, and the get sounds better than it has in years. And no…there are no colorized versions here. Impartial the sterling shadowy and white originals. The comedy, action, drama, and music combination that one expects from a Walt Disney production is all here, completed with a stellar cast. Guy Williams, Gene Sheldon, and Henry Calvin have improbable chemistry. Williams’ hero Zorro, who is a “bookish” Don Diego by day, becomes the black-caped & masked yarn who rights wrongs in his “off hours.”

Besides the 39 episodes (starting with “Presenting Señor Zorro”, unique air date of 10/10/1957 and finishing with #39 “The Eagle’s Flight”, unusual air date of 7/3/1958), there is a 6th disc of bonus material. Here you will fetch 2 hour long episodes:

1. “Zorro: El Bandido,” unusual air date of 10/30/1960, from Walt’s anthology TV series “Walt Disney Presents.” Clocking in at 51:10, this episode features Gilbert Roland & Rita Moreno, not long before her breakthrough role in “West Side Account.”

2. “Zorro: Adios El Cuchillo,” novel air date of 11/6/1960, from Walt’s anthology TV series “Walt Disney Presents.” This episode is 49:00 long and again stars Roland & Moreno.

An excerpt (3:17) is included here from “The Fourth Anniversary Demonstrate,” which originally aired on 9/11/1957. Walt is surrounded by the Mouseketeers who anxiously want to hear more about Zorro. Walt finally relents, and the opening from the explain rolls out. There is an “interaction” between the two sets, where Zorro talks to the Mouseketeers and then engages in a sword fight shown only in shadow (very effective!) .

There is also a featurette entitled, “The Life and Anecdote of Zorro” (12:26) detailing the history of Zorro. Starting with the publication of Johnston McCulley’s narrative in a pulp fiction magazine titled All-Story Magazine, “The Curse of Capistrano” came out in 1919. Swashbuckler Douglas Fairbanks Sr. was the first to play Zorro in the movies (1920), followed by Tyrone Power over at 20th Century Fox in 1940. Disney purchased the rights to the property in 1952, but didn’t gather around to dependable production until 1957. This marked the first time that a standing area was built on the Disney lot in Burbank at a cost of $500,000. Disney worked closely on this explain to fabricate everything authentic, and made clear it was helmed by a quality team. Each episode cost $78,000 to film and was shot on a 5-day schedule, which was very lavish for the day. Each installment also had fresh music and scoring written by William Lava. Today, the quality calm shows and has paid off handsomely for the studio from its continued fanbase over the past 50 years. The documentary has many technicolor images of Guy Williams and the Zorro cast, along with interviews of Williams’ son. Correct battles between ABC and Disney delayed Season 3, which resulted in a few hour-long episodes. It is ironic that one of the top rated shows (garnering an unheard of 40% audience allotment in season 2) was killed not by the ratings but by legalities and quibbling.

This is a sure-fire dwelling that will please conventional and original fans of this quality program.

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