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Movie Title: Deliverance Deliverance is available for streaming or downloading. |
This DVD is the 35th Anniversary Deluxe Edition of the film. One of the immense things about Deliverance is that, even though it is an adventure filmed in the 1970’s, it has managed to not age like a 70’s film. It is both depressing and edge-of-your-seat suspenseful at the same time. The four leads do a immense job of playing the parts of urban dwellers who want a weekend of adventure in the wilds of Georgia and wind up getting far more than they bargained for. It has remarkable to say about what it takes to form a man uncivilized and whether or not there is a bit of savagery in all of us, despite how domesticated we may be in predictable situations. Past these observation I won’t rehash the status elements since honest about everybody on earth knows the details, and if you don’t I won’t spoil it for you. The film is newly remastered and will have many special features which include:
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Commentary by John Boorman - Director Boorman discusses the adventures, the team, the controversy and everything it took to earn Deliverance a classic film.
Deliverance: The Beginning - Assume a historical peek at the original and its adaptation to the camouflage.
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Deliverance: The Plod - Along from the early stages of filming to the creation of classic moments, such as the Dueling Banjos scene.
Deliverance: Betraying the River - The making of one of the most controversial and ground-breaking sequences in film history.
Deliverance: Delivered - A reflective sight succor on the completion of the film, its impact and how the conception for the unsightly ending came to be.
The Unsafe World of Deliverance - The unusual behind-the-scenes documentary on the difficult conditions and challenges of making this film. This is on the 2004 release also.
Theatrical Trailer
This information comes from a press release by Warner Home Video. I have the 2004 release of this DVD, and quite frankly it looks glorious now. I guess the essential reason to upgrade would be for all the extra features and the commentary, which are all unusual with the exception of “The Unsafe World of Deliverance”, which was on the 2004 version of the DVD.
Director John Boorman’s animated, brutal, brooding, explosive and violent masterpiece remains one of Hollywood’s most shining takes on the complex, contradictory cultures of American manhood, otherwise the more familiar maintain of directors like Sam Peckinpah and Walter Hill. Based on James Dickey’s unique, Deliverance roots itself assuredly in engaging and consuming dualities: liberal modernity and backwoods barbarism; beauty and violence; kindness and cuelty; morality and pragmatism and, atmospherically, the existential and the visceral - situating it a determined chop above the average Hollywood action adventure output. Four suburban friends - career-best performances from Reynolds, Voight, Beatty and Cox - rob one last alpha-male shot at canoeing the powerful Cahulawassee river - impartial as it is site to be flooded - literally and figuratively - by the needs, culture and infastructure of the Novel South as it rolls unforgivingly through what’s left of the countryside.Honest as their believe middle class tensions, arrogances and irritations commence to surface, they speed - courtesy of the hostile local population - into a world great smaller(…) . What starts out as an egoistic attempt to reclaim some element of American frontier manhood amidst the privileged, cosseted reality of an otherwise safely suburban life becomes a spicy struggle to survive the ravages of nature and (distinctly warped) nurture. Features what is probably the silver screen’s most renowned male rape scene, an episode that slides so speedy and unsuspectingly from cautious negotiation to gruelling and humiliating cruelty that it mild retains the power to shock and unsettle. Possibly did more than any other movie to forever demonise the poor-white population of the Appalachians, spawning a slew of putrid copycats as well as the opportunistic “hillbilly dismay” sub-genre that persisted into the early 80s with such exploitation nonsense as Hillbilly Holocaust and Trapped. Walter Hill’s differently brlliant Southern Comfort, Jonathan Mostow’s efficient suspenser Breakdown and Curtis Hanson’s The River Wild can be argued to be among Deliverance’s more luscious latter-day spawn. (In the latter, Meryl Streep shows that otherwise meek women - pushed to the limit - can be honest as primal given a reason and a river!) Deliverance is a pleasant film that harks serve to the days when a thoughtful Hollywood film and a crowd-pleasing box office atomize were - more often than not - one and the same thing.
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