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MGM released a DVD edition of “The Safe, the Dreadful and the Unpleasant” in the slow 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone’s Western yarn the double-disc special edition it deserves. The print is restored and as sure as I’ve ever seen it, the sound is now an unbelievable 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian fresh have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.
The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The Current York Times said of it: “the most expensive, pious, and repellent movie in the history of its unusual genre. There is scarcely a moment’s respite from the afflict.” It’s fabulous how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European design. Now the film is considered a classic, and only Sergio Leone’s maintain “Once Upon a Time in the West” (another grand 2 DVD spot, by the diagram) has more respect in the genre. Leone’s queer style — stretched out time, obsession with close-ups and outrageous wide-shots, focus on rituals, and employ of Morricone’s wild and avant-garde win — are all in fleshy force in this account of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable ‘hero’ Blondie (Clint Eastwood), the crazy laughable bandit Tuco (Eli Wallach), and the calculating wrong sadist Angel Eyes (Lee Van Cleef) defective each other’s paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It’s a strangely emotionally affecting characterize despite its focus on three men who are smooth from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of “greatest hits.” Most unbelievable of all is “The Ecstasy of Gold” sequence where Tuco dashes madly through a cemetery, looking for the grave that might gain the gold. Morricone’s music here is especially overwhelming.
Chances are you’ve seen the film and adore it. What about the current scenes and the extras?
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Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won’t be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to wait on him prance Blondie; Blondie and Angel Eyes having a face-to-face when they first space out together to obtain the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their beget voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn’t imagine someone else imitating their voices — it couldn’t have been done any other plot. Prescott is fine capable as Angel Eyes, if a bit more gravelly.
The extras…
Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood’s biography and also did commentary on Leone’s “Once Upon a Time in America” DVD. His comments can be glorious dry, and he focuses mostly on Leone’s style and techniques instead of on background information on the filming itself. Nonetheless, there are many gripping insights, and Shickel manages to say a lot during the three-hour running time.
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Most of the extras are on Disc 2:
“Leone’s West” — A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There’s some very challenging info and memories here, mostly from Knox and the two actors.
“The Leone Style” — A 23-minute documentary, really honest an extension of the first one. It spends more time on Leone’s recent techniques. The same interviewees appear here.
“The Man Who Lost the Civil War” — A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an valuable insight into the world of Blondie, Tuco, and Angel Eyes.
“Reconstructing The Valid, the Abominable and the Repulsive” — An 11 tiny watch into the painstaking work eager with fixing the describe and sound, restoring the slice scenes, and re-dubbing it.
“Il Maestro: Ennio Morricone” — 8 minutes; mostly an interview with music scholar John Burlingame about the film’s net. At the demolish of the feature, you can settle to listen to an audio-only twelve-minute lecture by Burlingame that provides a remarkable more in-depth analysis of the music.
“Deleted Scenes” — Two scenes couldn’t go assist into the film. The extended torture scene had a damaged negative, so here it is in its rougher site. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.
Finally, there’s a gallery of posters, the current trailer, and MGM tossing in some gratuitous advertising for their other films.
Don’t miss this DVD. Not only is it one of the ample action films and one the mammoth westerns, but it’s the kind of release that the DVD format was invented for!
“The Valid, the Abominable and the Frightful” is Sergio Leone’s account masterpiece. While it is fragment of his Spaghetti Western Trilogy( all three films have different characters and plots), the film stands on its occupy and really shows you how apt a movie can really be. This movie has it all. It has action, drama and even some humorous relief in it. It is a timeless classic that is unforgettable. When I first saw it, I was a petite kid and couldn’t truly delight in it as I can now at age 22.
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Blondie (The Man with No Name) isn’t your typical gracious guy. He mainly does things that suits his believe agenda. However, when compared to the murderous Angel Eyes and the greedy Tuco, Blondie is a saint. This narrative involves bloodshed, shoot-outs, search for care for, and double-crossing. And it all takes station while the Civil War is going on, which makes things a lot more “inviting” for the eminent three. The West has never been wilder or more unpredictable than it is now. With an improbable gain, pleasurable acting, and sterling story-telling, this is one memorable film that you will never forget.
As I said in the beginning, the first time I saw this was when I was a itsy-bitsy kid. When I honest recently purchased this recent edition of the movie, it truly was like I was watching it for the first time. Coming from a guy who isn’t a titanic fan of Westerns (I don’t mind them, but I don’t gape too many of them), I absolutely LOVED this film. In fact, I wanted to give it a standing ovation when it was all said and done due to how moved I was by it. This really is filmmaking at its finest. I wasn’t terribly impressed with Leone’s “Once Upon a Time in America,” but he is absolutely flawless with this unbelievable and timeless Western. It is slower than the second film (”For a Few Dollars More”), but I contemplate that makes this all the better. The gain up of tension is remarkable more exhibit in this film, and you really pick up the sense that these characters are genuine people. Clint Eastwood, Lee Van Cleef and Eli Wallach are radiant in their roles, and a lot of props need to go to Lee Van Cleef as he is absolutely chilling in his role.
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This original edition really does the film the justice it deserves. The film has been restored to the director’s unique vision as noteworthy as possible, giving you an extra 18 minutes. You will view the added scenes as the voices have been re-dubbed (the first time you will study this will throw you, as I judge that specific fraction has the worst re-dubbing, but the other added scenes are done a lot better, even if you level-headed observe it) . The relate looks amazing and the sound is spacious. Extras included are commentary from Richard Schickel, a couple of documentaries and featurettes, poster gallery, deleted scenes and the modern theatrical trailer. Along with the nice packaging, you acquire an 8-page booklet that includes pictures from the film along with Roger Ebert’s most original review of the film. And, you regain some mini-posters included inside the packaging as well. A friendly edition of the movie, without inquire.
“The Top-notch, the Awful and the Horrible” is a pure triumph in filmmaking and should be seen by everybody at least once. Don’t let the fact that this is a Western throw you. I judge this can be enjoyed by everybody, and even by those who are not titanic fans of Westerns. A film filled with authentic emotion and action, this is one that shouldn’t be missed by anyone. I Adore this movie, and I cannot yell that enough. -Michael Crane
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